John Sloan TURNING OUT THE LIGHT (MORSE 134) Etching, framed, estimate pending inspection out of

John Sloan (1871-1951) TURNING OUT THE LIGHT (MORSE 134) Etching, 1905, on laid Arches paper, signed in pencil, from New York City Life, with full margins, framed. Plate 4 7/8 x 6 13/16 inches; 124 x

JOHN SLOAN Turning Out the Light. Etching, 1905. 127x178 mm; 5x7 inches, full margins. Edition of 110 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in pencil, lower marg

John Sloan (1871-1951) GROWING UP IN GREENWICH VILLAGE; THE BANDIT'S CAVE (MORSE 180; 195) Two etchings, 1916 and 1920, respectively, signed and titled, the first inscribed 100 proofs, the second dedi

Memory, 1906; Etching (framed); Signed; From an edition of 100; 7" x 8 1/2" (plate); 8" x 9 5/8" (sight); Literature: Morse 136; Provenance: Private Collection, New Jersey

Title: Mosaic. John Sloan (1871-1951) Medium: Etching, 1917. Edition 100 - printing 35. Signed in pencil. Inscribed "100 proofs" and "JS imp." This impression was printed by John Sloan. Plate size

JOHN SLOAN Night Windows. Etching, 1910. 136x179 mm; 5¼x7 inches, full margins. Fifth state (of 5). Edition of 110 (from an intended edition of 100). Signed in pencil, lower right. A superb, dark

JOHN SLOAN Snowstorm in the Village. Etching, 1925. 177x128 mm; 7x5 inches, full margins. Third state (of 3). Edition of 100. Signed, titled and inscribed "100 proofs" and signed by the printer, Ernes

Horseback Rider with Distant Hills, oil on panel, 7 x 10 in(17.8 x 25.4 cm), framed 12 x 15 in (30.5 x 38 cm), signed lower left, PROVENANCE: Private collection Long Island, NY

JOHN SLOAN Robert Henri, Painter. Etching, 1931. 355x279 mm; 14x11 inches, full margins. Eighth state (of 8). Edition of 60 (from an intended edition of 100). Signed and inscribed "100 proofs" in penc

Jasper Johns (American, b. 1930) hand signed and numbered 24/45 lithograph measuring 19.25"H x 24.25"W and 23.25"H x 28.25"W framed.

''San Francisco Suite'', a group of five framed etchings: ''Chinatown'', ''City Hall'', ''Golden Gate Bridge'', ''Mission Dolores'' and ''Telegraph Hill'', 1970, each: signed in pencil in the margin l

Siegfried ReinhardtMissouri / Germany, (1925-1984)Prophet (artist's proof), and John 6/50two etchingsboth are signed and titled, framed.This lot comes with a catalogue of Reinhardt's etchings and draw

double portrait of a Jack Russell and wire haired terrier, oil on canvas, signed 'Jno Emms' (lower right), 12.25x9in., overall framed 22x20in.Condition: UV light reveals a slight shadow to left side o

Rare 8' John Deere One-Bottom Walking Plow Single Sided Wood Smaltz Sign. Incredible John Deere piece. Framed sign has good color, minor wear and light staining in small areas. Includes shipping label

Boatshed and Summer Light Oil on canvas Signed lower right, Kraushaar gallery label on verso, framed h. 52 w. 48 in. Provenance: Kraushaar Galleries, New York, NY, 1974;Purchased from above by the fam

Hand-colored engraving with etching and aquatint, London: Havell, 1827-38, plate CLXXI, sheet bears J. Whatman 1833 watermark, matted and framed.Sheet size 37 7/8 x 25 1/2 in.; Frame dimensions 36 1/4

Bridge, Venice etching, 1907, signed in pencil, edition of about 50.   5 x 7 1/16" Zigrosser 59 Condition: Sandwiched, paper has some light toning Provenance: Private coll

John Sloan (American, 1871-1951) Fireguard, 1925 oil on canvas signed lower left inscribed and titled on stretcher 16 3/16" x 20 1/8" Provenance: Grand Central Art Galleries, New York, New York (label

Rembrandt (Rembrandt van Rijn) The Artist's Mother Seated at a Table Looking Right: Three-Quarter Length signed in plate with monogram.This framed print of the etching is a good image later state with

Black Rock Light Etching / Aquatint AP 11 / 15 Signed bottom right H. 12 1/4" W. 17 1/4"

Mary Stevenson CassattPennsylvania / France, (1844-1926)Margot Wearing a Bonnetetchingframed.8 3/4 x 5 3/4 inches

JOHN MARIN (AMERICAN, 1870-1953), ETCHING AND DRYPOINT, 1913, PLATE SIZE: H 12 3/4", W 10 1/4", "WOOLWORTH BUILDING #2:Pencil signed (within the plate mark); signed, titles and dated in the plate; ins

John French Sloan (American, 1871-1951) Black Rocks and Ledges, 1915 oil on canvas inscribed G.S. (on reverse) 26 x 32 inches. This work is recorded as #106 in the Sloan archives on deposit at the Del

PABLO PICASSO (1881-1973) "FIGURE COMPOSEE II"Lithograph, on Arches paper, signed in pencil, numbered XX/50Year : 1949the full sheet, light-staining, framed Sheet: 65.4 cm x 49.9 cmLiterature : Bloch