Stephanie Ramer (20 th / 21 st Century) Maine Los Angeles (two)

WAVES, two oil pastel paintings on panel, both initialed lower right, 5 x 7” frames 10 ½ x 12 ½ x 1 ½”. Provenance: DRLRM/GALLERY, Los Angeles. (2)

PACIFIC DESIGN CENTER, LOS ANGELES; 5455 WILSHIRE BOULEVARD, two acrylic paintings on canvas, each 29 ¼ x 29 ¼” framed. (2)

Suong Yangchareon (20th/21st Century) American, Acrylic on Canvas. Los Angeles Street Scene. Signed with Initials. Overall Size: 25 1/4 x 49 1/4 in. Sight Size: 23 5/8 x 47 5/8 in. Thickness: 2 1/8 in

GREEN COLUMN, enamel painted steel sculpture, a signature not found, 85” tall. From the Collection of Laura Lee Stearns, Los Angeles.

SMALL GRID, acrylic painted metal sculpture, 10 ¼ x 10 ¼ x 2”. From the Collection of Laura Lee Stearns, Los Angeles.

YELLOW CHUKKER STUDY, 1989, acrylic painted metal variegated sculpture, 12 x 14 x 2”. Provenance Kiyo Higashi Gallery, Los Angeles. Sold for $1200. in 1990.

LARGE GRID, welded metal sculpture with acrylic painting, 36 ¼ x 36 x 5 ½”. From the Collection of Laura Lee Stearns, Los Angeles.

ATE PANCAKES, 1991, photographs, roofing tar, carpet felt and twine sculpture, signed and dated and titled on verso, 4 x 5 x 3”. Provenance: Richard/Bennett Gallery, Los Angeles.

67, 2001, acrylic painted wood construction, signed and titled and dated on interior, 13 x 5 ¼ x 4 ¾”. From the Stephen Cohen Collection, Los Angeles.

STANFORD HILLS #81-1994, charcoal drawing on paper, initialed and dated in pencil lower left, 20 x 30”, framed. Provenance: Tatistcheff Gallery Inc. Los Angeles

watercolor on paper; signed lower right (possibly Margaret Smith); Provenance: The Estate of Charles Fries and Ava Ostern Fries, Los Angeles; 21 1/2 x 29 inches; 26 1/2 x 34 inches

oil on red gingham cotton fabric, unframed; unsigned; Provenance: The Estate of Juliet McIver, Los Angeles, CA; 24 x 36 inches

2012; popcorn texture and acrylic paint on metal security grille; unsigned; Provenance: The Estate of Juliet McIver, Los Angeles, CA; 84 x 57 inches

A PANORAMA OF MEXICAN CULTURE, acrylic painted mural on concave canvas, signed lower right, 72 x 96 x 5”, in good studio condition. Ponce, a Los Angeles muralist, has murals throughout the Los Angel

MERCER STREET, 1991, oil painting on Masonite, signed on verso, 32 ½ x 25 ¼”. Courtesy of Manny Silverman Los Angeles. Proceeds to benefit the Samburu Project’s mission to provide access to clea

(American, 20th/21st century) Chrysler Building, circa 1993, unsigned, maple(?) chair, 83 x 24 x 22-1/2 in. Provenance: Cognoscente, Los Angeles, California, purchased in 1993 for $3,200 (accompanied

late 20th / 21st century; signed illegibly to base; Provenance: Property from a Hancock Park, Los Angeles, CA Estate; 9 1/2 inches high

Richard Procello (American, fl. Los Angeles c. last quarter 20th century/first quarter 21st century): "Untitled (Tribal Artifact)" color photograph. The verso mounted with the photographer's card. Mat

Two works: A Dia de los Muertos candelabrum Late 20th/Early 21st Century Signed: Martin H.S. Centering a Catrina-style calavera surrounded by flowers, birds, and calaveras in hats presented in an

CIGAR BOX/MUSIC BOX, hand-made musical boxes with found objects inside cigar box, one with wood-burner writing on interior of lid, 4 ¼ x 6 ¾ x 5” & 4 x 8 x 5”. Provenance: Di

oil on canvas; each signed "Mario" lower right; each depicting Southwest American Indian pots; each 20 x 24 inches; 27 x 31 inches frame

(American, 20th/21st century) Two works: Mr. Dan is Hungry, signed lower left "d. troppy", oil on board with mixed objects, 20 x 5-5/8 in.; Miss Tracy Has a Flower in her hand, signed verso "d.troppy

(North Carolina, 20th/21st century) Two works: Young Cows, 1978, signed "Alix Hitchcock", watercolor, 10-1/2 x 14-1/2 in. (sight); modern aluminum frame, 16-1/4 x 21-1/4 in.; Cape Cod Landscape, 1976,

* Barbara Hall-Hereth (American 20th/21st century) Two O'Clock Birches, 1992 monotype on paper signed and dated (lower right) 16 x 20 inches. Estimate $50-70 Property from The Estate of Robert Geppert