Contemporary Editions

ROBERT LONGO, Jules, Gretchen, Mark (State II)

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Union City, NJ, United States

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Contemporary Editions

Da Mats Fine Art Collaborative

A premier showcase of original contemporary editions, from 1945 to today, from Jackson Pollock to Damien Hirst. Lithographs, screenprints, etchings and woodcuts by celebrated artists and various movements including Abstract Expressionism, Minimalism, Pop Art, Photorealism and more.

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PAUL JENKINS, Red Parrot: Color lithograph on Arches. Artist's proof, aside from the edition of 65. Signed and dated in pencil, lower left. Published by the Martha Jackson Gallery, New York. Date: 1964 Dimensions: 755x554

0049: PAUL JENKINS, Red ParrotEst. $1,000-$1,500Lot Passed

CLEVE GRAY, Night St. Maxime: Color screenprint on Rives BFK. Signed and numbered 68/100 in pencil, lower margin. Date: 1980 Dimensions: 670x480 mm; 26 1/2x19 inches, full margins

0050: CLEVE GRAY, Night St. MaximeEst. $1,000-$1,500Lot Passed

CLEVE GRAY, Untitled: Color aquatint on white wove Fabriano paper. Artist's proof, aside from the edition of 35. Signed and inscribed "artist's proof" in pencil, lower margin. Date: 1981 Dimensions: 540x752 mm; 21 1/4x29

0051: CLEVE GRAY, UntitledEst. $1,000-$1,500Lot Passed

MAURICE ESTEVE, Bank Street: Color lithograph on Rives BFK. Signed and numbered 89/125 in pencil, lower margin. Printed by Mourlot, Paris. Published by Atelier Mourlot, Ltd., New York. Date: 1967 Dimensions: 656x460 mm; 26x18

0052: MAURICE ESTEVE, Bank StreetEst. $1,000-$1,500Lot Passed

THEODOROS STAMOS, Untitled (Infinity Field--Lefkada Series): Color screenprint on white wove paper. Artist's proof, aside from the edition of 75. Signed and inscribed "A.P." in pencil, lower margin. Printed by Kelpra Studio, London. Published by Marlborough

0053: THEODOROS STAMOS, Untitled (Infinity Field--Lefkada Series)Est. $1,500-$2,000Lot Passed

THEODOROS STAMOS, Untitled (Infinity Field--Lefkada Series): Color lithograph on white wove paper. Artist's proof, aside from the edition of 75. Signed and inscribed "color trial proof" in pencil, lower right. Printed by Kelpra Studio, London. Published by

0054: THEODOROS STAMOS, Untitled (Infinity Field--Lefkada Series)Est. $1,000-$1,500Lot Passed

YVES KLEIN, Anthropometrie ANT 148: Color screenprint on white wove paper. Printed by l'Atelier Eric Linard, Paris. Published by Editions T.A.T Arts, Paris. Based on one of Klein's "Anthropometry" paintings from 1960, for which the

0055: YVES KLEIN, Anthropometrie ANT 148Est. $2,000-$3,000Lot Passed

RICHARD DIEBENKORN, Seated Woman in Chemise: Lithograph on Rives BFK. Artist's proof, aside from the edition of 100. Initialed, dated and inscribed "a.p. II" in pen and black ink, lower margin. Printed and published by Original Press, San

0056: RICHARD DIEBENKORN, Seated Woman in ChemiseEst. $3,000-$4,000Lot Passed

RICHARD DIEBENKORN, Seated Nude: Lithograph on Rives BFK. Artist's proof, aside from the edition of 100. Initialed, dated and inscribed "a. p. II" in ink, lower margin. Printed and published by Original Press, San Francisco. Date:

0057: RICHARD DIEBENKORN, Seated NudeEst. $3,000-$4,000Lot Passed

RICHARD DIEBENKORN, Folsom Street Variation III (Primaries): Color aquatint and drypoint on Rives BFK. Initialed, dated and numbered 57/60 in pencil, lower margin. Published by Crown Point Press, San Francisco, with the blind stamp lower right. Date: 1986

0058: RICHARD DIEBENKORN, Folsom Street Variation III (Primaries)Est. $20,000-$30,000Lot Passed

RICHARD DIEBENKORN, Unititled (for Harvey Gantt): Color lithograph. Initialed, dated and numbered 183/250 in pencil. Printed and published by Gemini G.E.L., Los Angeles. From "Harvey Gantt." Date: 1990 Dimensions: 128x169 mm; 5x6 5/8 inches, full

0059: RICHARD DIEBENKORN, Unititled (for Harvey Gantt)Est. $1,500-$2,000Lot Passed

RICHARD DIEBENKORN, Group of 4 lithographs: One printed in color in beige and black, each on Hahnemuhle German etching paper. One initialed, dated and numbered 37/42 in pencil, lower margin; the others numbered 34/65, 38/53 and 46/68 in

0060: RICHARD DIEBENKORN, Group of 4 lithographsEst. $8,000-$10,000Lot Passed

RICHARD DIEBENKORN, The Barbarian: Aquatint with scraping, burnishing and drypoint on Rives BFK. Initialed, dated and numbered 8/15 in pencil, lower margin. Printed and published by Crown Point Press, San Francisco, with the blind

0061: RICHARD DIEBENKORN, The BarbarianEst. $3,000-$4,000Lot Passed

FRANK STELLA, Eskimo Curlew: Color lithograph and screenprint on Arches 88 mould-made paper. Artist proof, aside from the edition of 50. Signed, dated and numbered AP IV in pencil. Published by Tyler Graphics, Ltd., Mount Kisco,

0062: FRANK STELLA, Eskimo CurlewEst. $8,000-$10,000Lot Passed

CONRAD MARCA-RELLI, Composition: Color lithograph on wove paper. Signed, dated and numbered 23/90 in pencil. Date: 1973 Dimensions: 809x630 mm; 32x25 inches

0063: CONRAD MARCA-RELLI, CompositionEst. $1,000-$1,500Lot Passed

CONRAD MARCA-RELLI, Composition IV: Color collagraph, aquatint, etching and embossing on antique-white Guarro paper. Signed and numbered 60/75 in pencil, lower margin. Published by the artist and Isaac Rabinovich, New York. Date: 1976

0064: CONRAD MARCA-RELLI, Composition IVEst. $1,000-$1,500Lot Passed

SERGE POLIAKOFF, Composition rouge, grise et noire: Color lithograph on Arches. Edition of 300. Signed in pencil, lower right. Printed by Ponds, Paris. Published by Kunstverein du Hambourg. Date: 1960 Dimensions: 640x490 mm; 25 1/4x19 1/2 inches, full

0065: SERGE POLIAKOFF, Composition rouge, grise et noireEst. $3,000-$4,000Lot Passed

KAREL APPEL, Deux Tetes: Color lithograph on Arches. Signed, dated and numbered 141/200 in pencil, lower margin. Date: 1965 Dimensions: 570x765 mm; 22 1/2x30 1/4 inches (sheet), full margins

0066: KAREL APPEL, Deux TetesEst. $1,500-$2,000Lot Passed

JOHN CHAMBERLAIN, Flashback I: Color screenprint on Rives BFK. Signed and numbered LXIV/LXXV in pencil, lower margin. Published by London Arts, Inc., Detroit, with the blind stamp lower left. From the same-titled portfolio. Date:

0067: JOHN CHAMBERLAIN, Flashback IEst. $1,500-$2,000Lot Passed

JOHN CHAMBERLAIN, Flashback II: Color screenprint on Rives BFK. Signed and numbered 81/175 in pencil, lower margin. Published by London Arts, Inc., Detroit, with the blind stamp lower left. From the same-titled portfolio. Date:

0068: JOHN CHAMBERLAIN, Flashback IIEst. $1,500-$2,000Lot Passed

JOHN CHAMBERLAIN, Flashback III: Color screenprint on Rives BFK. Signed and numbered 40/175 in pencil, lower margin. Published by London Arts, Inc., Detroit, with the blind stamp lower left. From the same titled portfolio. Date:

0069: JOHN CHAMBERLAIN, Flashback IIIEst. $1,000-$1,500Lot Passed

JOHN CHAMBERLAIN, Flashback VI: Color screenprint on Rives BFK. Signed and numbered 26/175 in pencil, lower margin. Published by London Arts, Inc., Detroit, with the blind stamp lower left. From the same-titled portfolio. Date:

0070: JOHN CHAMBERLAIN, Flashback VIEst. $1,500-$2,000Lot Passed

JOHN CHAMBERLAIN, Last Form of Servitude: Color monotype on Arches. Signed and titled in pencil, lower margin, and with the artist's signature black ink stamp, lower right. Published by Novak Graphics, Toronto. Date: circa 1990 Dimensions:

0071: JOHN CHAMBERLAIN, Last Form of ServitudeEst. $1,500-$2,000Lot Passed

JOHN CHAMBERLAIN, Out to Lunch, Drop a Line: Color aquatint on Arches. Signed and numbered 3/48 in pencil, lower margin. Published by Novak Graphics, Toronto, with the black ink stamp, verso, and the blind stamp, lower right. Date: 1987

0072: JOHN CHAMBERLAIN, Out to Lunch, Drop a LineEst. $2,000-$3,000Lot Passed

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Da Mats Fine Art Collaborative

Wilmington, DE, United States

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