English school from the first third of the 18th century."Portrait of a lady".Oil on canvas. Relined painting.This piece belongs to the collection of the Hotel Marbella Club.Measurements: 128 x 101 cm; 141 x 115 cm (frame).Is a portrait that is already well into the rococo movement, with a sumptuous and scenographic conception, but at the same time endowed with a certain closeness that breaks the protocol distance of the baroque portrait. Thus, we see the woman almost captured full-length, elegantly dressed in rich fabrics, combining velvet, ermine and the fine fabric of the shirt, whose ruffles are shown on the sleeves and neckline. The lady also wears a wide mantle of dark blue velvet, whose voluminous folds add monumentality to her figure. The brooches of her hairstyle have been worked with attention to detail and quality, highlighting her presence, and her whitish complexion, of delicate finesse, emphasizes the noble character of the woman depicted. The young woman, of enormous beauty, looks directly at us, with a serene and kind expression on her face, something completely new with respect to the traditional baroque portrait. The composition is also totally scenographic, with an open landscape in the last instance, a resource typical of this type of English genre. The use of color is especially interesting, with bright and strong tonalities that increase even more, if possible, the beauty of the composition.In the 18th century, the panorama of European portraiture was varied and broad, with numerous influences and largely determined by the taste of both the clientele and the painter himself. However, this century saw the birth of a new concept of portraiture, which would evolve throughout the century and unify all the national schools: the desire to capture the personality of the human being and his character, beyond his external reality and his social rank, in his effigy. During the previous century, portraiture had become consolidated among the upper classes, and was no longer reserved only for the court. For this reason, the formulas of the genre, as the 17th century progressed and even more so in the 18th century, became more relaxed and moved away from the ostentatious and symbolic official representations typical of the Baroque apparatus. On the other hand, the eighteenth century will react against the rigid etiquette of the previous century with a more human and individual conception of life, and this will be reflected in all areas, from the furniture that becomes smaller and more comfortable, replacing the large gilded and carved furniture, to the portrait itself, which will come to dispense, as we see here, of any symbolic or scenographic element to capture the individual instead of the character.