Philippe Halsman photo, Mai Zetterling jumping
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Philippe Halsman photo, Mai Zetterling jumping, 14" x 11"
Philippe Halsman
(From magnum.com) Philippe Halsman was born in Riga and began to take photographs in Paris in the 1930s. He opened a portrait studio in Montparnasse in 1934, where he photographed André Gide, Marc Chagall, Andre Malraux, Le Corbusier and other writers and artists, using an innovative twin-lens reflex camera that he had designed himself. He arrived in the United States in 1940, just after the fall of France, having obtained an emergency visa through the intervention of Albert Einstein. In the course of his prolific career in America, Halsman produced reportage and covers for most major American magazines, including a staggering 101 covers for Life magazine. His assignments brought him face-to-face with many of the century’s leading personalities.
In 1945, he was elected the first president of the American Society of Magazine Photographers, where he led the fight for photographers’ creative and professional rights. His work soon won international recognition, and in 1951, he was invited by the founders of Magnum Photos to join the organization as a contributing member, so that they could syndicate his work outside the United States. This arrangement still stands.
Halsman began a thirty-seven-year collaboration with Salvador Dalí in 1941 which resulted in a stream of unusual Photographs of Ideas, including Dali Atomicus and the Dalí’s Mustache series.
In the early 1950s, Halsman began to ask his subjects to jump for his camera at the conclusion of each sitting. These uniquely witty and energetic images have become an important part of his photographic legacy.
Philippe Halsman
(From magnum.com) Philippe Halsman was born in Riga and began to take photographs in Paris in the 1930s. He opened a portrait studio in Montparnasse in 1934, where he photographed André Gide, Marc Chagall, Andre Malraux, Le Corbusier and other writers and artists, using an innovative twin-lens reflex camera that he had designed himself. He arrived in the United States in 1940, just after the fall of France, having obtained an emergency visa through the intervention of Albert Einstein. In the course of his prolific career in America, Halsman produced reportage and covers for most major American magazines, including a staggering 101 covers for Life magazine. His assignments brought him face-to-face with many of the century’s leading personalities.
In 1945, he was elected the first president of the American Society of Magazine Photographers, where he led the fight for photographers’ creative and professional rights. His work soon won international recognition, and in 1951, he was invited by the founders of Magnum Photos to join the organization as a contributing member, so that they could syndicate his work outside the United States. This arrangement still stands.
Halsman began a thirty-seven-year collaboration with Salvador Dalí in 1941 which resulted in a stream of unusual Photographs of Ideas, including Dali Atomicus and the Dalí’s Mustache series.
In the early 1950s, Halsman began to ask his subjects to jump for his camera at the conclusion of each sitting. These uniquely witty and energetic images have become an important part of his photographic legacy.
Condition
Good condition overall
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Philippe Halsman photo, Mai Zetterling jumping
Estimate $200 - $300
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