Lot 0034

Hiroshi Yoshida (Japanese 1876-1950) "In The Temple"

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Hiroshi Yoshida (1876-1950 Japanese) ''Kansai District: Hiroshi Yoshida (1876-1950 Japanese) ''Kansai District Hayase'' Woodblock Print 10.5''x15.5'' Sheet. Printed signature and titled lower margin. Loose, unframed. Slight mat burn edge of image. Overall

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Hodaka Yoshida (1926-1995) Japanese: MAIL BOX 322, 1975, color woodblock print, signed in pencil, from the numbered edition 100, image 13 x 8 ¾”, sheet 16 x 11”, in good condition.

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Hodaka Yoshida (1926-1995) Japanese: SOCCER BALL IN STREET, 1975, color woodblock print, signed in pencil, from the numbered edition 50, image 17 x 13”, sheet 20 ½ x 16”, in good condition.

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Hodaka Yoshida (1926-1995) Japanese: CAMBRIDGE, 1974, color woodblock print, signed in pencil, from the numbered edition 50, image 17 x 13”, sheet 20 ½ x 16”, in good condition.

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Hodaka Yoshida (1926-1995) Japanese: SIGNS, 1968, color woodblock print, signed in pencil, from the numbered edition 100, image 11 x 8”, sheet 14 ¼ x 11”, pale toning in margins, otherwise in good condition.

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Hodaka Yoshida (1926-1995) Japanese: HOME COUNTRY, 1968, color woodblock print, signed in pencil, from the numbered edition 100, image 4 x 4”, sheet 14 x 11”, in good condition.

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Etta Jean Juge Japanese Buddhist Temple Bell Photo: Etta Jean Juge Japanese Buddhist Temple Bell Photo Photo by Etta Jean Juge, showing a Japanese Buddhist temple bell. These large bells are used to summon monks to prayer, to mark time, and to celebra

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Chizuko Yoshida (b. 1924) Japanese: CIRCLES NO. 7, color woodblock print, signed in pencil, from the numbered edition of 50, image 23 x 17”, sheet 26 x 20”, in good condition.

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Yomii Nru Temple, Tamagaki, Japan: Description: Yomii Nru Temple, Tamagaki, Japan. Condition: Very good contrast and tonality Year: c1890 Country: Japan Maker: Unknown photographer Height: 8 in. (20.32 cm) Width: 10.25 in. (26.03 cm) M

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Chizuko Yoshida (b. 1924) Japanese: BUBBLES, 1966, color woodblock print, signed in pencil, from the numbered edition of 50, image 22 x 17”, sheet 26 x 19”, some discoloration, otherwise in good condition.

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Hiroshi Sugimoto, Sea of Japan, Hokkaido, 1991: Photographer: Hiroshi Sugimoto is a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long exposure photography, the artist provides i

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Hiroshi Sugimoto - Sea of Japan, Rebun Island, 1996: HIROSHI SUGIMOTO (B. 1948) Sea of Japan, Rebun Island, 1996 (neg. #458) Photo-litho 8 1/2" x 6 1/2"

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Hiroshi Kabe (b. 1926) Japanese: TITLED, 1970, color woodblock print, signed in pencil, from the numbered edition 50, image 11 x 8 ½”, sheet 14 ½ x 10 ¾”, in good condition.

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Hiroshi Tomihari (b. 1936) Japanese: FAN DESIGN, UME HAYASHI, 1978, color woodblock print, signed in pencil, from the numbered edition 50, image 10 ½ x 21”, sheet 12 ½ x 24”, hinges on verso, soft handling creases in the margins, o

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Hiroshi Tomihari (b. 1936) Japanese: FAN DESIGN, FUYU NUKUSHI, 1978, color woodblock print, signed in pencil, from the numbered edition 50, image 10 ½ x 21”, sheet 12 ½ x 24”, hinges on verso, soft handling creases in the margins,

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Hiroshi Sugimoto, Caribbean Sea, Jamaica, 1980 L/E: Photographer: Hiroshi Sugimoto is a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long exposure photography, the artist provides i

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Hiroshi Sugimoto, Silurian Period, 1992, Limited Edition Of 360: Photographer: Hiroshi Sugimoto is a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long exposure photography, the artist provides i

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Hiroshi Sugimoto, Permian Period, 1992, Limited Edition Of 360: Photographer: Hiroshi Sugimoto is a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long exposure photography, the artist provides i

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Hiroshi Sugimoto, Permian Land, 1992, Limited Edition Of 360: Photographer: Hiroshi Sugimoto is a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long exposure photography, the artist provides i

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