Robert Sargent Austin (British) 1895-1973. Charles Murray Playing the Violin. Etching, 1925. Dodgson 55. Only state. Ed: 25. Signed with pencil, l.r. Signed and dated in the plate, upper center. Inscribed with pencil, "Charles Murray", l.l. Printed by the artist in black ink on cream laid paper with complete margins. 134 x 110 mm. (5 _ x 4 5/16 in.). Ex Coll: T.P.H. (Not in Lugt), verso. The Stonebreaker. Engraving, 1925. Dodgson 57, iii/III, this impression a trial proof before the edition of 60 (?). Ref: Malcolm Salaman, Modern Masters of Etching; Print Collectors Quarterly, 16 (1929), 336. Signed with pencil, l.c. Initialed in the plate, l.c. Titled with pencil, l.l. Inscribed with pencil, "Trial Proof", l.l. Printed by the artist in black ink on cream laid paper with complete margins. 105 x 135 mm. (4 1/8 x 5 5/16 in.). Perhaps the artist's best known image. The Pack Bridge. Engraving, c. 1926. Dodgson 65, ii/II. Ed: 60. Signed with pencil, l.c. Initialed in the plate, l.c. Titled with pencil, l.l. Printed by the artist in black ink on light laid cream paper with a unicorn watermark with complete margins. A bit light-struck from about 13 mm. (_ in.) from platemark. (5 x 4 _ in.). This bridge is/was in Alystone, Leiscestershire. Zootelande. Engraving, 1928. Dodgson 82, xi/XI. Ed: 75. Signed with pencil, l.c. Initialed in the plate, l.r.Titled with pencil, l.r. Inscribed with pencil, "51/75", l.l. Printed by the artist in black ink on cream laid paper with complete margins. 137 x 137 mm. (5 3/8 x 5 3/8 in.) (4)