ARTIST(s): Li Keran 李可染 (1907-1989)
ink and color on paper, Hanging scroll
Painting (Sight): 18in W x 26.5" L, entire scroll is 23"W x 82" L.
Signed/Seal(s): 2 artist seals
Comment: Chinese watercolor painting on paper depicting a humble waterside village along the river within dense of grisaille hues forest tress. Signed with two artist's iron-red signature seal to lower right.

PROVENANCE:
Estate Collections of GENERAL YU BINDONG 俞濱東 (1903-1990) (AKA: 天宾)
R.O.C. Presidential Palace Third Class of Major Generals, Director of Assistant Commissioner, Official bodyguard, Security guard brigade commander of the building controls, the affairs of state, presidential palace Internal business, printing and engraving branch.

For more information about General Yu Bingdong 俞濱東, please follow this link:
www.eden-galleries.com/yubindong/

Video Documentation on Youtube:
https://youtu.be/CdiGidqkQYk
Video Documentation on Youku (China):
http://v.youku.com/v_show/id_XNTE3MjYyODkwOA==.html

The collections of General Yu Bingdong 俞濱東 presented and offered up to auctions:

The collections of General Yu Bindong 俞濱東 presented and offered up to auctions:
ON DAY-1: From Lot-121 through Lot-141, and continued from Lot-233 through Lot-251.
ON DAY-2: From Lot-393 through Lot-413, and continued from Lot-481 through Lot-493.

LOT NOTES:
Li Keran 李可染 (1907-1989) was a renowned contemporary Chinese painter. He was born on March 26, 1907 in Xuzhou, Jiangsu Province, as Li Yongshun, alias Sanqi (died December 5, 1989, Beijing) painter and art educator who was a prominent figure in 20th-century Chinese art. He developed a personal style of landscape painting that was based upon the emulation of both ancient and contemporary masters.Li showed a gift for painting, calligraphy, and music as a child. When he was 13, he began to study landscape painting with a local painter. In 1923 he entered the Shanghai Art College, studying both traditional Chinese painting and Western art. It was during this period that Li attended three lectures given by Kang Youwei, who advocated learning from both Song academic painting and from the realistic tradition of the European Renaissance. Kang's ideal of merging Eastern and Western art to create a new century in Chinese painting inspired Li greatly and became his lifelong pursuit.In the spring of 1929, Li was admitted as a postgraduate student at the Hangzhou National Art College, where he studied drawing and oil painting under the French teacher Andre Claoudit. During this period he developed a kind of abstract and structural style in his oil painting that showed the influence of German Expressionism. In 1932 he became a member of a leftist art organization, the Yiba Art Society. That same year he left school and returned to Xuzhou, where he had his first one-person exhibition.From 1934 Li began to experiment with figure painting in ink and wash. During the period after the Sino-Japanese War, he began to paint cowboys and water buffalo, endowing this traditional subject matter with new significance by his use of an innovative technique of splashed ink. Appreciation of his work, especially his figure paintings, grew, and in 1946 he accepted an invitation by Xu Beihong to join the faculty of the Beijing National Art College. There the masters Qi Baishi and Huang Binhong became his mentors. Qi, fond of Li and his painting, applauded him as the most important painter in the post-Qianlong-JiaQing period.After 1954 Li spent much time sketching from nature, claiming that drawing was the first step towards a reformation of Chinese painting. While he emulated ancient Chinese calligraphic traditions, his rigorous training in oil painting also taught him to apply Western elements, such as chiaroscuro, to his work. He is thus remembered as neither a traditionalist nor a reformist, but rather as a pioneer who blended these two trends in 20th-century Chinese art. In his later years, Li attracted many students and followers, who formed the Li School of the 1980s.

Over all in EXCELLENT Condition. Natural imperfection on the medium (paper or silk), regardless from any major damages; includes light blooms, discoloration and minor fading. Consider normal due to the ages.
The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. Any condition statement is given as a courtesy to a client, and is only an opinion and should not be treated as a statement of fact. EDEN Galleries shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.