ARTIST(s): Empress Dowager Cixi 慈禧太后 (14 August 1871 - 14 November 1908)
ink and color on paper, Framed, Set behind glass.
Painting (Sight): Length: 120 cm, Width: 40.5 cm
Signed/Seal(s): 6 seals, signed
Dated: In The winter Season of Jia Chen Years (1904)
Comments: Yubi, which means that the emperor's own writing or drawing refers to the imperial edict.

PROVENANCE:
Estate Collections of GENERAL YU BINDONG 俞濱東 (1903-1990) (AKA: 天宾)
R.O.C. Presidential Palace Third Class of Major Generals, Director of Assistant Commissioner, Official bodyguard, Security guard brigade commander of the building controls, the affairs of state, presidential palace Internal business, printing and engraving branch.

For more information about General Yu Bingdong 俞濱東, please follow this link:
www.eden-galleries.com/yubindong/

Video Documentation on Youtube:
https://youtu.be/CdiGidqkQYk
Video Documentation on Youku (China):
http://v.youku.com/v_show/id_XNTE3MjYyODkwOA==.html

The collections of General Yu Bindong 俞濱東 presented and offered up to auctions:
ON DAY-1: From Lot-121 through Lot-141, and continued from Lot-233 through Lot-251.
ON DAY-2: From Lot-393 through Lot-413, and continued from Lot-481 through Lot-493.

LOT NOTES:
Empress Dowager Cixi 慈禧太后 (29 November 1835 - 15 November 1908) of the Manchu Yehe Nara clan, was a Chinese empress dowager and regent who effectively controlled the Chinese government in the late Qing dynasty for 47 years, from 1861 until her death in 1908. Selected as a concubine of the Xianfeng Emperor in her adolescence, she gave birth to a son, Zaichun, in 1856. After the Xianfeng Emperor's death in 1861, the young boy became the Tongzhi Emperor, and she became the Empress Dowager. Cixi ousted a group of regents appointed by the late emperor and assumed regency, which she shared with Empress Dowager Ci'an. Cixi then consolidated control over the dynasty when she installed her nephew as the Guangxu Emperor at the death of the Tongzhi Emperor in 1875, contrary to the traditional rules of succession of the Qing dynasty that had ruled China since 1644.Cixi supervised the Tongzhi Restoration, a series of moderate reforms that helped the regime survive until 1911. Although Cixi refused to adopt Western models of government, she supported technological and military reforms and the Self-Strengthening Movement. She supported the principles of the Hundred Days Reforms of 1898, but feared that sudden implementation, without bureaucratic support, would be disruptive and that the Japanese and other foreign powers would take advantage of any weakness. She placed the Guangxu Emperor, whom she thought had tried to assassinate her, under virtual house arrest for supporting radical reformers, publicly executing the main reformers. After the Boxer Rebellion led to invasion by Allied armies, Cixi initially backed the Boxer groups and declared war on the invaders. The ensuing defeat was a stunning humiliation. When Cixi returned to Beijing from Xi-an, where she had taken the emperor, she became friendly to foreigners in the capital and began to implement fiscal and institutional reforms aimed to turn China into a constitutional monarchy. The death of both Cixi and the Guangxu Emperor in November 1908 left the court in hands of Manchu conservatives, a child, Puyi, on the throne, and a restless, deeply divided society.Historians both in China and abroad have debated her legacy. Conventionally denounced as a ruthless despot whose reactionary policies - although successfully self-serving in prolonging the ailing Qing dynasty - led to its humiliation and utter downfall in the Wuchang Uprising, revisionists suggested that Nationalist and Communist revolutionaries scapegoated her for deep-rooted problems beyond salvage, and lauded her maintenance of political order as well as numerous effective, if belated reforms - including the abolition of slavery, ancient torturous punishments and the ancient examination system in her ailing years, the latter supplanted by institutions including the new Peking University.

Over all in EXCELLENT Condition. Natural imperfection on the medium (paper or silk), regardless from any major damages; includes light blooms, discoloration and minor fading. Consider normal due to the ages. Frame with normal anomalies in nature, sign of stressed surface, minor scratch & dents. Normal, consider ages and wear.
The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. Any condition statement is given as a courtesy to a client, and is only an opinion and should not be treated as a statement of fact. EDEN Galleries shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.