Lithograph of a dials by Friedrich Meckseper

Lithograph: 15 1/4" x 19 1/4"
Frame: 30 1/4" x 27"

Friedrich Meckseper
(Source: artnewspaper.com) Profoundly interested in physics, astronomy, 19th-century technology and classic literature, Friedrich Meckseper set out to read the entire lexica from A-Z as a young man. Early on, during his student years at the Hochschule der Kunste in Berlin from 1957-59, he developed and found his unique encyclopedic work method by arranging objects and artifacts in mysterious, timeless spatial configurations. As a pianist and drummer on the side, he opened the first artist run post-war jazz clubs in Berlin during these formative years.

In the early 1960s he was invited to do a solo exhibition at Galerie Die Insel in Worpswede, Northern Germany. His friendship with the owner Klaus Pincus, a Jewish collector who barely survived the Holocaust, would last a life time. It was in Worpswede that he met his wife, the photographer Barbara Muller, the grand-niece of the Jugendstil artist Heinrich Vogeler, a founding member of the early 20th-century artist colony Worpswede.

Meckseper would spend the next 20 years in Worpswede-- his most prolific years, filled with museum exhibitions around the world, interrupted only by a year in Rome in 1963 for the German Rome Prize Villa Massimo, and visiting professorships in Reading, UK, Wuppertal, Germany and Salzburg, Austria. His house was often the center of artist parties frequented by Frank Bowling, Horst Janssen, Friedensreich Hundertwasser, Katharina Sieverding, Die Rixdorfer and Jean Pit Morell and many others.A true inventor and adventurist, Meckseper extended his interest in turn of the century technology into engineering and building his own steamboat, the James Watt in 1972-74, the same period he permanently installed a 1913 steam train in our hometown of Worpswede. An avid balloonist, he also crossed the Alps in a balloon multiple times.

Good condition overall