MEASUREMENTS:13"WX18"H , FRAMED,GOOD CONDITION./Isaac Grünewald was a Swedish-Jewish expressionist painter born in Stockholm. He was the leading and central name in the first generation of Swedish modernists from 1910 up until his death in 1946, in other words during almost his entire career spanning four decades.Despite or because of his role as the leading and most controversial pioneer in Swedish modernism in his days, in Swedish journalism and literature, he is still sometimes being portrayed as, in effect, the embodiment of a classic Jewish caricature, with insinuations of his not having earned his success fairly; being an insignificant Matisse imitator as an artist but a genius as a businessman.In the 1920s, Grünewald began reaping major commercial successes. He created stage designs for the Royal Swedish Opera[2] and other theaters. In 1925-26, he decorated the walls and ceiling in the minor hall (since renamed Grünewald Hall) at the Stockholm Concert Hall, site of the Nobel Prize ceremony, and in 1928 the walls of the Matchstick Palace. His work was part of the painting event in the art competition at the 1932 Summer Olympics.Still life with AmaryllisGrünewald was a professor at the Royal Swedish Academy of Arts between 1932 and 1942 and in 1941 he opened his own art school. During the Second World War Grünewald worked at the renowned Rörstrand porcelain factory. He was awarded the Prince Eugen Medal in 1945.[4]His wife Sigrid Hjertén suffered from lifelong mental health problems that resulted in her being hospitalized for extended periods in the 1930s. Grünewald divorced Hjertén, who was then hospitalized permanently, in 1937 and remarried. In 1946 he and his second wife Märta Grundell were killed in an airplane crash. Grünewald was the father of three sons born in 1910, 1911 and 1940.