Various Artists; The MOCA Portfolio
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Various Artists
The MOCA Portfolio, 1999-2000
The complete set of 6 various media prints (some in colors), on various paper, each signed in pencil and numbered 50/80 (there were also various artist's proofs for all), co-published by The Museum of Contemporary Art, Los Angeles, Lapis Press, Venice, and Gemini G.E.L., Los Angeles, each with respective blindstamps or inkstamps, each with full margins, with the title page and justification, all contained in the original red cloth-covered portfolio box designed by Frank Gehry. (6)
Artists and Titles include:
Vija Celmins, Untitled (spider web); Ann Hamilton, written; Brice Marden, L.A. Muses; Martin Puryear, Untitled; Ed Ruscha, Pico, Flower, Figueroa; Richard Serra, MOCA Print
various sizes
portfolio 32 x 23 1/4 x 1 1/4in (81.3 x 59.1 x 3.2cm)
The MOCA Portfolio, 1999-2000
The complete set of 6 various media prints (some in colors), on various paper, each signed in pencil and numbered 50/80 (there were also various artist's proofs for all), co-published by The Museum of Contemporary Art, Los Angeles, Lapis Press, Venice, and Gemini G.E.L., Los Angeles, each with respective blindstamps or inkstamps, each with full margins, with the title page and justification, all contained in the original red cloth-covered portfolio box designed by Frank Gehry. (6)
Artists and Titles include:
Vija Celmins, Untitled (spider web); Ann Hamilton, written; Brice Marden, L.A. Muses; Martin Puryear, Untitled; Ed Ruscha, Pico, Flower, Figueroa; Richard Serra, MOCA Print
various sizes
portfolio 32 x 23 1/4 x 1 1/4in (81.3 x 59.1 x 3.2cm)
Condition
Portfolio box with no visible abrasions.
Vija Celmins, Untitled (spider web), 1999
Mezzotint, on Hahnemuhle Copperplate paper, signed in pencil and numbered 50/80, with the blindstamp of publisher, Lapis Press, Venice, California, with full margins.
7 x 7 3/4in (17.8 x 19.7cm)
sheet 23 x 18 1/4in (58.4 x 46.4cm)
CR: work number in pencil verso, no visible abrasions.
Ann Hamilton, written, 1999
Embossing, on Hahnemuhle Copperplate paper, signed in pencil, dated '00' and numbered 50/80, with the blindstamp and the inkstamp of the publisher/printer, Gemini G.E.L., Los Angeles, with full margins.
17 x 21in (43.2 x 53.3cm)
sheet 22 1/8 x 30in (56.2 x 76.2cm)
CR: with a small pencil dot in the left margin, otherwise no visible abrasions.
Brice Marden, L.A. Muses, 1999
Etching and lithograph in colors, on Somerset Velvet paper, signed in pencil, dated '99' and numbered 50/80, with the blindstamp and inkstamp of the publisher/printer, Gemini GEL, Los Angeles, with full margins.
17 ¼ x 26 1/4in (43.8 x 66.7cm)
sheet 22 1/8 x 30in (56.2 x 76.2cm)
CR: with a tiny diagonal crease in the lower right corner, with work number in pencil verso, otherwise no visible abrasions.
Martin Puryear, Untitled, 1999
Etching with aquatint in colors, on Rives BFK paper, signed in pencil and numbered 50/80, with the blindstamp of the publisher/printer, Lapis Press, Venice, with full margins.
23 7/8 x 17 3/4in (60.6 x 45.1cm)
sheet 30 x 22in (76.2 x 55.9cm)
CR: with work number in pencil on reverse, no visible abrasions.
Ed Ruscha, Pico, Flower, Figueroa, 1999
Aquatint and etching, on wove paper, signed in pencil, dated '1999' and numbered 50/80, with the blindstamp of the publisher/printer, Lapis Press, Venice, with full margins.
15 ¾ x 22 3/4in (40 x 57.8cm)
sheet 22 1/8 x 30in (56.2 x 76.2cm)
CR: with the work number in pencil (on reverse), no visible abrasions.
Richard Serra, MOCA Print, 1999
Etching, on Somerset Velvet paper, signed in pencil, dated '99' and numbered 50/80, with the blindstamp and inkstamp (on reverse) of the publisher/printer, Gemini G.E.L., Los Angeles, the full sheet.
sheet 30 x 22in (76.2 x 55.9cm)
CR: with a small bump along the upper left sheet edge and a small soft diagonal crease in the upper left corner, work number in pencil verso.
Vija Celmins, Untitled (spider web), 1999
Mezzotint, on Hahnemuhle Copperplate paper, signed in pencil and numbered 50/80, with the blindstamp of publisher, Lapis Press, Venice, California, with full margins.
7 x 7 3/4in (17.8 x 19.7cm)
sheet 23 x 18 1/4in (58.4 x 46.4cm)
CR: work number in pencil verso, no visible abrasions.
Ann Hamilton, written, 1999
Embossing, on Hahnemuhle Copperplate paper, signed in pencil, dated '00' and numbered 50/80, with the blindstamp and the inkstamp of the publisher/printer, Gemini G.E.L., Los Angeles, with full margins.
17 x 21in (43.2 x 53.3cm)
sheet 22 1/8 x 30in (56.2 x 76.2cm)
CR: with a small pencil dot in the left margin, otherwise no visible abrasions.
Brice Marden, L.A. Muses, 1999
Etching and lithograph in colors, on Somerset Velvet paper, signed in pencil, dated '99' and numbered 50/80, with the blindstamp and inkstamp of the publisher/printer, Gemini GEL, Los Angeles, with full margins.
17 ¼ x 26 1/4in (43.8 x 66.7cm)
sheet 22 1/8 x 30in (56.2 x 76.2cm)
CR: with a tiny diagonal crease in the lower right corner, with work number in pencil verso, otherwise no visible abrasions.
Martin Puryear, Untitled, 1999
Etching with aquatint in colors, on Rives BFK paper, signed in pencil and numbered 50/80, with the blindstamp of the publisher/printer, Lapis Press, Venice, with full margins.
23 7/8 x 17 3/4in (60.6 x 45.1cm)
sheet 30 x 22in (76.2 x 55.9cm)
CR: with work number in pencil on reverse, no visible abrasions.
Ed Ruscha, Pico, Flower, Figueroa, 1999
Aquatint and etching, on wove paper, signed in pencil, dated '1999' and numbered 50/80, with the blindstamp of the publisher/printer, Lapis Press, Venice, with full margins.
15 ¾ x 22 3/4in (40 x 57.8cm)
sheet 22 1/8 x 30in (56.2 x 76.2cm)
CR: with the work number in pencil (on reverse), no visible abrasions.
Richard Serra, MOCA Print, 1999
Etching, on Somerset Velvet paper, signed in pencil, dated '99' and numbered 50/80, with the blindstamp and inkstamp (on reverse) of the publisher/printer, Gemini G.E.L., Los Angeles, the full sheet.
sheet 30 x 22in (76.2 x 55.9cm)
CR: with a small bump along the upper left sheet edge and a small soft diagonal crease in the upper left corner, work number in pencil verso.
Buyer's Premium
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- 25% up to $600,000.00
- 20% above $600,000.00
Various Artists; The MOCA Portfolio
Estimate $25,000 - $35,000
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