Mildred Anne Butler (1858 - 1941) Ireland
Watercolor on Paper
Measure 4 3/4"in H x 8 1/2"in W and 8 1/2"in H x 12 1/2"in W with frame

Known for: Rural scene watercolor and oil landscape painting
Biography: Although Mildred Butler's paintings are timeless, there is an essential Edwardian quality to her art; a sense of peaceful summer pastures, peacocks on lawns, and evening mists in winter woodlands. Spanning the nineteenth and twentieth centuries, her watercolours embody classic elements of Victorian culture, such as an interest in gardens, trees and animals-the latter frequently assigned anthropomorphic roles-but transcend the conventionality and sentimentality of much Victorian art. Grandson of the 11th Viscount Mountgarret, Butler's father, Captain Henry Butler, was also an artist. He wrote and illustrated a book on big-game hunting, South African Sketches, published in 1841. Her mother, Ciara Butler (née Taylor), had come to Ireland from Leicester. The youngest in the family, Mildred Anne had two siblings, Walter and Isabel. She studied art first under Frederick Brown, at the Westminster School of Art. Then, in 1885, she and a relative, Lady French, toured France, Switzerland and Italy. Her work from this period reveals the influence of another tutor, Paul Naftel, who ran a school in London, and gave correspondence courses. Mildred Butler was a dedicated student, studying the technique of watercolour painting with Naftel, the depiction of animals with William Frank Calderon, and absorbing a French Realist aesthetic from Henri Gervex in Paris. In 1894, along with May Guinness, she travelled to Newlyn in Cornwall, where Norman Garstin was teaching a style of Northern European Impressionism. First exhibiting in 1888 with the Dudley Gallery, Butler enjoyed both commercial success and popularity. She showed regularly with the Watercolour Society of Ireland, and the Royal Academy. In 1891 her painting Morning was purchased by the Chantrey Bequest, and that same year Out in the Open attracted favourable comment from Queen Victoria. Two years later she was asked to contribute to a portfolio, to be presented to Princess May. She also contributed to a presentation to King Edward VII, and in 1910 Queen Alexandra purchased one of her paintings. Peter Murray, March 2019

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