ZDZISLAW BEKSINSKI POLISH 1929-2005 GICLEE PRINT ON PAPER. Signed and number as 7/150. Image size 51cm by 51cm.Together with COA.

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Zdzislaw Beksinski was born in Poland in the town of Sanok near the Carpathians Mountains in 1929. After a childhood was spent during the Second World War, Beksinski went on to university where he studied architecture in Cracow. Subsequent to this education he spent several years as a construction site supervisor, a job he hated, frought with pressures and countless boring details. He would soon throw himself into the arts. In 1958, Beksinski began to gain critical praise for his photography, and later went on to drawing. His highly detailed drawings are often quite large, and may remind some of the works of Ernst Fuchs in their intricate, and nearly obsessive rendering.

Beksinski eventually threw himself into painting with a passion, and worked constantly, always to the strains of classical music. He soon became the leading figure in contemporary Polish art.Beksinski and his family moved to Warsaw in 1977. The artist had many exhibitions throughout his native Poland and Europe. He rarely attended any of them. Bekinski's art hangs in the National Museums Warsaw, Sanok, Krakow, Poznan, and the Goteborgs Art Museum in Sweden. Much of his art is displayed in the Sanok Museum of art in his native city.

Beksinki's remarkable drawings possess a strength in both mood and subject matter. Like his later paintings, they are intensely haunting and mysterious. The drawings, particularly, project a nightmarish quality reminiscent of the surrealist, Bohemian master, Alfred Kubin.Beksinski began painting in oils on masonite around the year 1970. His ability to manipulate the effects of light quickly became a hallmark of his work, and can only be compared with the renown abilities of William Turner. Beksinski's paintings aremasterfully rendered, monumental enigmans. One thing they share is an aesthetic of beauty so potent that it overpowers any desperate nature of the given subject matter, as is similarly the case with Swiss artist, H.R. Giger. The paintings as a whole are wonderfully dark, and allow the viewer to interperet them as they will, as they will certainly get no help from this particular artist. As Magritte said: ""The purpose of art is mystery.""

Beksniski's paintings have grown less representational over the years and now seem almost abstract in nature. Color and texture and now the proncipal themes in themselves. Not so odd, as the artist began his career in the abstract realm. His recent computer art, however, continues the lineage of fantastic realism, and the artist never allows the technology to get in the way of that he is attempting to convey creatively.

Beksinski was murdered in February of 2005, during a robbery attempt at his flat in Warsaw. He will be remembered as a brilliant artist, and by those who knew him, as a docile man with a profound wit and keen sense of the human condition. I cherish the time we spent corresponding as friends, self-aware neurotics who could not wait to try and top the other. What a remarkeble piece of work he was. A bit of Woody Allen, a dash of Oscar Wilde for spice, and brushes of Francisco Goya and William Turner.

This lot do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed. Authentication of the artwork has not been established nor is it implied. Authentication of any stamps or labels has not been established nor is it implied. Pieces are being sold """"As Is"""". No additional information regarding provenance will be provided after the auction. Authentic is not reason for return.

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Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

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In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

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