Enrajolats III (Tiles III), etching printed in colors on Arches paper 1979 signed in pencil by the artist numbered 2/30 (total edition include 15 roman numbered proofs) As printed by Joan Barbara, Barcelona and published by Maeght, Barcelona. Additional and larger photos and more information may often be available in our main site catalog. Size info: sheet: 22 by 29 7/8 (56 by 76 cm.) plate size: 15 3/4 by 20 1/2 in. (40 x 52 cm.), Literature: Recorded and illustrated in the catalog raisonne on the original engravings of the artist by Jacque Dupin, Vol. IV, No. 1083., , , ,Framing: Sold unframed,213Miro, Joan, Spanish 1893-1983Person and Bird (Galerie Maeght Exhibition,1948)", color lithograph on Maris paper, 1948 signed by the artist, from a few signed examples Printed by Mourlot, Paris.Published by Galerie Maeght, Paris. Additional and larger photos and more information may often be available in our main site catalog. Size info: sheet: 25 3/4 by 19 3/4 in. ( 65 x 50 cm.) , Literature: Recorded and illustrated in the standard text on the original lithographs of Miro by Mourlot, No.67; Corredor-Matheos, No. 4, This highly anthropomorphic original lithograph was produced in conjunction with Miro's first one-man show at Gallerie Maeght in 1948. The work had lettering addedfor the general exhibition printing run (as here). Miro produced an editioned lithograph of 75 with some special artwork added to the area of the lettering as a separate project on Rives paper. Neither Mourlot's catalog or the catalog produced by Corredor-Matheos mentions signed examples of the poster variation however calling for a print run of 300. The Ulrich Museum catalog does mention a signed example. Very rare. , Provenance: Pierre Matisse Gallery, New York. , Exhibitions: Edwin A. Ulrich Museum of Art, Wichita State University, 1978, with the original exhibition label on the support sheet.,Framing: Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging.,

In very fine condition, the colors fresh and vivid. Slight hardly noticeable toning on the outer edges of the sheet well away from the image.