Amazing Francisco Zuniga 1979 Mixed Media
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Description
Attributed to Francisco Zuniga, it does not have a COA. Medium: crayon and gouache paper. 33 x 25 inches. Provenance: private owner.
Biography: 1912 - 1998. Francisco Zuniga was born in Costa Rica to the sculptor Manuel Maria Zuniga in 1912. Zuniga first learned sculpture from his father and then at the School of Fine Arts in San Jose before leaving for Mexico City, where he studied at the Escuela de Talla Directa under Guillermo Ruiz and Oliverio Martinez.It was at the Escuela de Talla Directa that Francisco Zuniga's style began to develop under the tutelage of the sculptor Oliverio Martinez and the painter Manuel Rodriguez Lozano. Incorporating primitive Aztec forms into the classical style Francisco Zuniga had been taught helped to create a regionalized style, one that focused on the bodies and forms of the natives of Central America. Though Francisco Zuniga did create some abstract pieces, the majority of his work is composed of nudes, generally female, of peasant stock. With scrawny or stocky bodies unfamiliar to classical sculpture, Zuniga expanded the intellectual reach of his work by mixing it with regional ethnographic studies of body type and lifestyle.Though his bronze sculpture continued to evolve throughout his life, Francisco Zuniga expanded his range of mediums throughout his life, modeling in clay and plaster and sculpting in bronze, Carrara marble and alabaster. At the age of sixty Zuniga created his first lithograph, a form that he would work in prolifically for the rest of his life. The prints, in monochrome and color, shared subject matter with his sculpture but allowed him a closer connection to the drawings that served as the basis of both.Francisco Zuniga drew several notable commissions during his lifetime, including the monumental stone reliefs of the Allegory of Earth and Communications at the Secretaria de Comunicaciones in Mexico City. Francisco Zuniga is also well-represented in major museum collections, including those of the Museum of Modern Art in New York City and Mexico City, the Phoenix Art Museum, Harvard University, Ponce Art Museum and the Hirshhom Museum and Sculpture Garden in Washington, D.C.
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Biography: 1912 - 1998. Francisco Zuniga was born in Costa Rica to the sculptor Manuel Maria Zuniga in 1912. Zuniga first learned sculpture from his father and then at the School of Fine Arts in San Jose before leaving for Mexico City, where he studied at the Escuela de Talla Directa under Guillermo Ruiz and Oliverio Martinez.It was at the Escuela de Talla Directa that Francisco Zuniga's style began to develop under the tutelage of the sculptor Oliverio Martinez and the painter Manuel Rodriguez Lozano. Incorporating primitive Aztec forms into the classical style Francisco Zuniga had been taught helped to create a regionalized style, one that focused on the bodies and forms of the natives of Central America. Though Francisco Zuniga did create some abstract pieces, the majority of his work is composed of nudes, generally female, of peasant stock. With scrawny or stocky bodies unfamiliar to classical sculpture, Zuniga expanded the intellectual reach of his work by mixing it with regional ethnographic studies of body type and lifestyle.Though his bronze sculpture continued to evolve throughout his life, Francisco Zuniga expanded his range of mediums throughout his life, modeling in clay and plaster and sculpting in bronze, Carrara marble and alabaster. At the age of sixty Zuniga created his first lithograph, a form that he would work in prolifically for the rest of his life. The prints, in monochrome and color, shared subject matter with his sculpture but allowed him a closer connection to the drawings that served as the basis of both.Francisco Zuniga drew several notable commissions during his lifetime, including the monumental stone reliefs of the Allegory of Earth and Communications at the Secretaria de Comunicaciones in Mexico City. Francisco Zuniga is also well-represented in major museum collections, including those of the Museum of Modern Art in New York City and Mexico City, the Phoenix Art Museum, Harvard University, Ponce Art Museum and the Hirshhom Museum and Sculpture Garden in Washington, D.C.
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Condition
Mint based on the description
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Amazing Francisco Zuniga 1979 Mixed Media
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