NIKOLAI YEGOROVICH SVERCHKOV 1817-1898. Oil on canvas. Horse and man. Dated as 1879. Image size 35cm by 25cm or 13.5in by 9.5in.

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Nikolai Sverchkov was a prolific artist who specialized in equestrian scenes. He exhibited in Paris from 1859 and his works were acquired by Napoleon III (1863) and the Russian Tsar Alexander II (1864).Born into the family of an Imperial stableman and coachman, Sverchkov developed a great interest in horses at an early age and started drawing animals as a young boy. Sverchkov's extraordinary talent for scenes involving horses earned him a position of artist at the Khrenov and Tchesme stud farms in the 1840s. Many works from this period comprise a cycle of illustrations entitled "Album of Stud Farms, with Portraits of Studs and Mares from the Finest Stud Farms in Russia." In 1852, Sverchkov was awarded the rank of Academician at the St. Petersburg Academy of Fine Arts. From the late 1850s to the early 1860s the artist lived in Paris, London, and Brussels; he received the Legion d'honneur at the Paris World's Fair.Nikolai Sverchkov was a prolific artist who specialized in equestrian scenes. He exhibited in Paris from 1859 and his works were acquired by Napoleon III (1863) and the Russian Tsar Alexander II (1864).Born into the family of an Imperial stableman and coachman, Sverchkov developed a great interest in horses at an early age and started drawing animals as a young boy. Sverchkov's extraordinary talent for scenes involving horses earned him a position of artist at the Khrenov and Tchesme stud farms in the 1840s. Many works from this period comprise a cycle of illustrations entitled "Album of Stud Farms, with Portraits of Studs and Mares from the Finest Stud Farms in Russia." In 1852, Sverchkov was awarded the rank of Academician at the St. Petersburg Academy of Fine Arts. From the late 1850s to the early 1860s the artist lived in Paris, London, and Brussels; he received the Legion d'honneur at the Paris World's Fair.When he painted horses, he strove to convey the specificity of the animal. Despite his fame in the 1860s Sverchkov died in poverty, almost completely forgotten.When he painted horses, he strove to convey the specificity of the animal. Despite his fame in the 1860s Sverchkov died in poverty, almost completely forgotten.

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Provenance: from an European art collector.

This lot do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed. Authentication of the artwork has not been established nor is it implied. Authentication of any stamps or labels has not been established nor is it implied. Pieces are being sold ""As Is"". No additional information regarding provenance will be provided after the auction. Authentic is not reason for return.

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Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

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