Lot 0070

Prague School

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Prague School, 17th Century The Crucifixion: Prague School, 17th Century The Crucifixion oil on panel 28.2 x 21.7cm (11 1/8 x 8 9/16in). This lot is subject to the following lot symbols: α α Buyers from within the UK: VAT is payable at

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Continental School, painting: Continental School, painting, Continental School (19th c.), Charles Bridge, Prague, 1855, watercolor, inscribed "Moldau Brucke(?)" and dated upper left , 8.25"h x 11"w (sheet), unframed

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Spanish School, 17th Century: Spanish School, 17th Century, Seated Boy Carrying a Basket with a Cat. A boy sits on a parapet and looks to the top left. He holds a basket with a young cat, which he supports on his thigh. He is bare

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Italian School (17th century): Italian School (17th century) , God the Father77 x 101 cmOil on canvas

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Italian school, 17/18th century: Italian school, 17/18th century, St. John the Baptist in a Landscape with a Lamb Oil on canvas, 155 x 122 cm

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Stanislav Feikl (Czech, 1883-1933) - Prague Cityscape, Oil on Cardboard.: Stanislav Feikl (Czech, 1883-1933) - Prague Cityscape, Oil on Cardboard. Signed. 50x62cm. Stanislav Feikl was a Czech painter. He studied at the School of Applied Arts and at the Prague Academy of Fi

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CONTINENTAL SCHOOL (17th/18th Century): Landscape with sheep Oil on panel No apparent signature, with an old paper label on verso having Prague custom's office stamp, framed h. 11-1/2 w. 8-14 in. overall: 18 x 15-1/4 in. (frame) Provenance:

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HUNGARIAN SCHOOL (20TH CENTURY), OIL ON ARTIST PANEL,: HUNGARIAN SCHOOL (20TH CENTURY), OIL ON ARTIST PANEL, PRAGUE'S FORTRESS, SIGNED ERDELYI, INSCRIBED VERSO. 24 X 24"; FRAMED 28 X 28"

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Jacob Bogdany (c. 1660 â€“ 1724): Jacob Bogdany (c. 1660 â€“ 1724), Magnificent Still Life with Squirrels. A colorful still life of fruit and flowers is arranged on a stone bench in front of a balustrade. The pyramidal compositio

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Francesco Guardi (1712 â€“1793): Francesco Guardi (1712 â€“1793), The Holy Family and Saints Domenico and FrancescoThe present painting, probably destined for private devotion, depicts in the upper left the Madonna Assunta, Jesu

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David De Coninck (c. 1636 Antwerps â€“ after 1701, Brussels): David De Coninck (c. 1636 Antwerps â€“ after 1701, Brussels), A Cat and Dog Fighting for a Pheasant. The painting is attributed to David de Conick, an artist from Antwerp. Pupil of Pieter Boel, t

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Goavert Flinck (1615 â€“1660) â€“ attributed: Goavert Flinck (1615 â€“1660) â€“ attributed, Portrait of a Boy on a Rocking HorseA blond boy sits on a rocking horse, holds the reins with his left hand and raises his right hand with the w

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Daniel Seghers (1590â€“1661): Daniel Seghers (1590â€“1661), Bouquet of Flowers in a Glass VaseDaniel Seghers was a student of Jan Brueghel, became a master in Antwerp in 1611 and joined the Jesuit order in 1614. From 1625 to

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Jacob Bouttas, active around 1700: Jacob Bouttas, active around 1700, Entry into Noah's Ark. The animals have gathered in a wide landscape to enter Noah's Ark. On the bridge into the ark, highlighted by the light among the other animal

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Giovanni Battista Salvi (1609-1685), known as Sassoferrato: Giovanni Battista Salvi (1609-1685), known as Sassoferrato, MadonnaSassoferrato (1609-1685) created countless versions of the painting of Mary, one of the favorite objects of piety of the seventeenth

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Paul Joseph Constantin GabriÃ«l (1828 â€“ 1903): Paul Joseph Constantin GabriÃ«l (1828 â€“ 1903), Wooded Landscape with Watercourse and Staffage Figures. Wide, slightly hilly heathland under shaded and translucent clouds. Under a group of oak

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Item Details

Description

Prague School, around 1600, Fighting Horse. Four horses fight each other, a white horse lies fallen on the ground, a gray and a bay horse attack each other rearing up. On the left, another light gray horse kicks its hooves backwards. The dark background of the stone adds drama to the scene. Painting on slates or other stone tablets is a feature of the High Renaissance and Mannerism. It was invented by Sebastiano del Piombo after Vasari. It was hoped that this would make the painting last "forever". Oil on slate, 30 x 47 cm