392 十八世紀 釉裡紅海濤雲龍紋梅瓶
H30.5cm
瓶小口，短頸，豐肩，上腹圓鼓，下腹內收，圈足。通體以釉裡紅繪海濤雲龍紋為飾。五爪巨龍於雲間翻騰，追逐滾動，場景磅礡大氣。龍首圓眼，長吻，鬃鬣成束向後飄散，頭頂生鹿角，龍身粗長，迴旋環繞，四肢前後開展，趾爪張開如風車，龍鱗刻繪清晰繁密。周邊散布祥雲，團狀雲朵層疊，雲腳細長伸展，營造出飄移之感。下方海水細密，波濤洶湧，激起陣陣浪花，組成海水波濤雲龍紋，展現一統山河之氣勢。
釉裡紅是元代景德鎮創燒的釉下彩繪，由於燒造條件極為苛刻，加之工藝技術掌握難度大，成功率低。元末明初釉裡紅器皿之呈色偏向灰褐，直到永宣時期才燒出呈色紅豔、色如寶石的釉裡紅，然產品甚少。成化之時，工藝簡便的釉上彩代替釉裡紅，造成釉裡紅一度中斷，直到清代康、雍、乾三朝才得以復甦，大放異彩。清宮舊藏，北京故宮博物院庋藏清乾隆〈釉裡紅海水雲龍紋蓋罐〉，其海水龍紋形象與本品相似，展現清代釉裡紅工藝之精妙卓絕。本瓶胎質白淨，光潤晶瑩，造形挺拔端莊，畫工精緻細膩，紅白二色交相輝映，色調柔雅，沉著而不浮躁，靜穆之中透出高貴典雅之氣。
梅瓶原是用於盛酒的容器，大多配有盅形蓋，常與錫制酒壺、酒杯等一同出現。明代中期後，其用途有所改變，成為文人墨客几案上插花的花瓶，《陶雅》就有「古以瓶貯酒，今以瓶插花」一說。故清代梅瓶大多無蓋，更成為乾隆朝經典陳設御瓷，其品類多樣，裝飾豐富，且量少而質精。今北京故宮博物院庋藏清乾隆〈釉裡紅折枝三果紋梅瓶〉，為乾隆釉裡紅瓷梅瓶的重要代表作品，其器型可為本品之列證。
預估價：
TWD 300,000-400,000
RMB 68,200-90,900

A Copper-Red Porcelain 'Dragon' Vase
18th Century
H30.5cm

Yu Jen Taipei Auction
[Lot 392] Estimates: TWD 300,000-400,000

DEPOSIT

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