JOHN SLOAN The Women's Page.
John Sloan Sale History
View Price Results for John SloanRecommended Items
Item Details
Description
JOHN SLOAN
The Women's Page.
Etching, 1905. 127x177 mm; 5x7 inches, full margins. Second state (of 2). Edition of 100. Signed, titled and inscribed "100 proofs" in pencil, lower margin. From New York City Life. A superb, richly-inked impression with very strong contrasts.Sloan (1871-1951) produced his New York City Life series of ten etchings from 1905-06, recording the lives of the city's tenement dwellers. Sloan found these prints difficult to market to buyers, as they were not accustomed to seeing such honest depictions of everyday life.According to Levin, "Hopper may have first met John Sloan as early as April 1904, just after Sloan's move to New York where he lived in the same building as Robert Henri, but certainly by 1906 when Sloan substituted for Henri for one month at the New York School of Art. For Edward Hopper, Sloan represented one artist he could respect who prior to 1916 had worked regularly as a commercial illustrator. Sloan's influence is particularly visible during Hopper's formative years," (Levin, Edward Hopper as Illustrator, New York, 1979, page 9). Morse 132.
The Women's Page.
Etching, 1905. 127x177 mm; 5x7 inches, full margins. Second state (of 2). Edition of 100. Signed, titled and inscribed "100 proofs" in pencil, lower margin. From New York City Life. A superb, richly-inked impression with very strong contrasts.Sloan (1871-1951) produced his New York City Life series of ten etchings from 1905-06, recording the lives of the city's tenement dwellers. Sloan found these prints difficult to market to buyers, as they were not accustomed to seeing such honest depictions of everyday life.According to Levin, "Hopper may have first met John Sloan as early as April 1904, just after Sloan's move to New York where he lived in the same building as Robert Henri, but certainly by 1906 when Sloan substituted for Henri for one month at the New York School of Art. For Edward Hopper, Sloan represented one artist he could respect who prior to 1916 had worked regularly as a commercial illustrator. Sloan's influence is particularly visible during Hopper's formative years," (Levin, Edward Hopper as Illustrator, New York, 1979, page 9). Morse 132.
Buyer's Premium
- 30%
JOHN SLOAN The Women's Page.
Estimate $1,500 - $2,500
3 bidders are watching this item.
Shipping & Pickup Options
Item located in New York, NY, usOffers In-House Shipping
Local Pickup Available
Payment
Auction Curated By
Vice President of Swann Galleries
Related Searches
TOP