UNIDENTIFIED TLINGIT ARTIST, Model Totem Pole, c. 1900
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Description
UNIDENTIFIED ARTIST, TLINGIT, SITKA, ALASKA
Model Totem Pole, c. 1900
carved and pigmented alder, 23.25 x 3 x 3 in (59.1 x 7.6 x 7.6 cm)
Provenance
A Vancouver Collection.
Model totem poles have been a mainstay of the artifact market in Alaska since at least the mid-nineteenth century. This model, nearly two feet in height, is carved with three main figures. At the top is a raven with a tapered beak and folded wings, standing on the head of a man rending a sea lion in half. This image represents the story of Duktoohl, known in English as the Strong Man. At the bottom is a beaver in a seated position, the stick in its hands bent like a horseshoe, its narrow tail textured in the usual way. Its feet are drawn up onto an integral small base. The pole is attached to a larger square base, also of wood, to better balance the tall pole in its vertical position.
Steven C. Brown
References: For a history of Northwest Coast model pole production see Michael D. Hall and Pat Glascock, Carvings and Commerce: Model Totem Poles 1880-2010, (Saskatoon: Mendel Art Gallery / Seattle: University of Washington Press, 2011).
Model Totem Pole, c. 1900
carved and pigmented alder, 23.25 x 3 x 3 in (59.1 x 7.6 x 7.6 cm)
Provenance
A Vancouver Collection.
Model totem poles have been a mainstay of the artifact market in Alaska since at least the mid-nineteenth century. This model, nearly two feet in height, is carved with three main figures. At the top is a raven with a tapered beak and folded wings, standing on the head of a man rending a sea lion in half. This image represents the story of Duktoohl, known in English as the Strong Man. At the bottom is a beaver in a seated position, the stick in its hands bent like a horseshoe, its narrow tail textured in the usual way. Its feet are drawn up onto an integral small base. The pole is attached to a larger square base, also of wood, to better balance the tall pole in its vertical position.
Steven C. Brown
References: For a history of Northwest Coast model pole production see Michael D. Hall and Pat Glascock, Carvings and Commerce: Model Totem Poles 1880-2010, (Saskatoon: Mendel Art Gallery / Seattle: University of Washington Press, 2011).
Condition
The absence of condition does not imply that an item is free from defects, nor does a reference to particular defects imply the absence of any others. Our team can provide thorough and comprehensive condition reports and additional images. We welcome your enquiries at info@firstarts.ca or 647-286-5012.
NOTE
Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported.
NOTE
Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported.
Buyer's Premium
- 23%
UNIDENTIFIED TLINGIT ARTIST, Model Totem Pole, c. 1900
Estimate CA$4,000 - CA$6,000
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