Lot 0043

Eduard Wiiralt (1898 – 1954)

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Eduard Wiiralt (Estonian 1898 - 1954): Viljandi maastik. 1943. Graafika (Kuivnõel). Plm 38.7 x 65.9 cm. Lm 59.9 x 83.2 cm. 1943. aasta suvel viibis Wiiralt Uusna mõisas Viljandimaal. Sellest mõni kilomeeter eemal, tollal Goo

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Eduard Wiiralt (Estonian 1898 - 1954): Wiiralti lehe modelliks oli “Estonia” noor tantsijatar Astrid Arak, kelle järgi ta graveeris 1945.a. Stockholmis trükitud “Lamava akti “(õieti “Lamava supl

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Eduard Wiiralt (Estonian 1898 - 1954): Istuv daam (1941). Graafika (Metsotinto). Plm 49.8 x 32.7 cm. Wiiralti teine kodumaal loodud metsotinto, mille modelliks oli preili Tall. See vana, 17. sajandil leiutatud graafikatehnika, mille Ãµit

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Eduard Wiiralt (Estonian 1898 - 1954): Ameerika kunstnik Martin Baer (1894-1961) võttis Wiiraltilt gravüüritunde. Ta oli elanud Marokos, seetõttu on ta portreel riietatud valgesse ning raamatus on tal pilt tiigrist (por

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Eduard Wiiralt (Estonian 1898 - 1954): Naine kraega Tsilindriga.1928. Graafika (Akvatinta, Ofort). Plm 17 x 11.9 cm. Suurus raamiga: 40.5 x 33.6 cm. Esimestel Pariisi-aastatel lõi Wiiralt mitmeid tugeva erootilise värvinguga s

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Eduard Wiiralt (1898 – 1954): Puuma ja panter. 1937. Ofort. Kuivnõel. Paber. Lm 35 x 38 cm. Plm 20.6 x 23.9 cm. Käeolev teos on pärast sõda Pariisis trükitud kunstnikutõmmis. Teos oli üks esimesi

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Eduard Wiiralt (Estonian 1898 - 1954): Eduard Wiiralt omandas kunstihariduse aastatel 1915-18 Tallinna Kunsttööstuskoolis, 1919-24 Tartus “Pallases”, kus lõpetas skulptuurieriala. Juba kooliajal täiendas ta

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Eduard Wiiralt (Estonian 1898 - 1954): Kahepoolne: Noor araablane (1940) ; Kristjan Raua portree (1939). Graafika (Kuivnõel, Metsotinto). Kristjan Raua portree. Kuivnõel. Plm 49.2 x 32.5 cm., Saabunud 1939. aasta septembris Eesti

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Eduard Wiiralt (Estonian 1898 - 1954): Orgia. 1928. Graafika (Ofort). Plm 8.8 x 11.8 cm. Lm 16.1 x 21 cm. Suurus raamiga: 30.5 x 31 cm. Oluline vÃ¤ike gravÃ¼Ã¼r, mis on samaaegne ofordiga "Seltskond" ning kuulub tema tippteoste "PÃ�

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Woodcut print by Dali, The Minotaur, c1960: Woodcut print by Dali, The Minotaur, c1960, From Dalis Divine Comedy Suite Frame: 14 1/4" x 18" Print: 7 1/4" x 10 1/2" Dalis Divine Comedy Suite (Source: Dali--Illustrator by Eduard Fornes) In 1950,

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Folk dancing music Symbolist lithograph 1895: Alexander Rothaug and Eduard Unger "Rustic Dance and Music" Plate No. 18. "Gerlach Allegorien." Antique lithograph, 1896-1900. 17.25 x 13.75 inches. Artwork sold by the well-respected Century Guild ga

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After Kazimir Malevich (Russian, 1879-1935) Limited Edition Lithograph: Supermatist Composition. Numbered in pencil lower left 221/300 and plate signed lower right. After the Cold War, the Soviet Union allowed Russian art to be imported to the US through the Eduard Nakham

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Brehm & Pechuel-Losche 1892 Antique Print. Moths: Chromolithograph Published 1890-93, Leipzig and Vienna for "Brehms Tierleben. Allgemeine Kunde des Tierreichs" by Alfred Edmund Brehm, Eduard Pechuel-Losche and Wilhelm Haacke. Many of the same images

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Brehm & Pechuel-Losche 1892 Lot of 3 Prints. Corcodile & Lizards: Chromolithograph Published 1890-93, Leipzig and Vienna for "Brehms Tierleben. Allgemeine Kunde des Tierreichs" by Alfred Edmund Brehm, Eduard Pechuel-Losche and Wilhelm Haacke. Many of the same images

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Brehm & Pechuel-Losche 1892 Bird Print. Swans: Chromolithograph Published 1890-93, Leipzig and Vienna for "Brehms Tierleben. Allgemeine Kunde des Tierreichs" by Alfred Edmund Brehm, Eduard Pechuel-Losche and Wilhelm Haacke. Many of the same images

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Brehm & Pechuel-Losche 1892 Pair of Birds of Prey Prints: Chromolithograph Published 1890-93, Leipzig and Vienna for "Brehms Tierleben. Allgemeine Kunde des Tierreichs" by Alfred Edmund Brehm, Eduard Pechuel-Losche and Wilhelm Haacke. Many of the same images

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Item Details

Description

Lamav tiiger.1937-1950. Pehmelakk. Kuivnõel, hallikas paber. Plm 29.5 x 39 cm. Eduard Wiiralt on kujutanud erinevaid loomi, kuid tema erilisteks lemmikuteks olid kaslased – nii kodukassid kui ka metsikud loomad: tiigrid, pantrid, puumad, lõvid. Arvatavasti imponeeris talle nende ühtaegu graatsiliste ja jõuliste loomade sõltumatu olemus. Tema gravüürides on kaslaste suhtes tajutav mingi eriline respekt. 1949. aastal tellis Genfi kirjastus „La Guilde internationale de la gravure“ Wiiraltilt 1937. aasta pehmelaki „Lamav tiiger“ variandi. Olles plaadi juba 1947. aastal kuivnõela tehnikas üle käinud, lisas Wiiralt sinna kassi. Kassiga tõmmiseid trükiti 200, ent osa kliente kassi ei soovinud, mistõttu tuli kunstnikul see eemaldada. Meid raugel pilgul vaatlev tiiger jäi ikkagi väga imposantseks. Kas tegelikult igatseb see kaskede all lamav pai kodukass oma kaugeid varitsuspaiku ja joogikohti? Antud tõmmis on trükitud teose IV seisundist, mil kunstnik oli 1950. aastal lisatud kassi sealt eemaldanud.All paremal, plaadil: EWiiRALT 1937 1950.All paremal: E. Wiiralt. All vasakul: VII/LX