Attributed to John Fabian Carlson, it does not have a COA. Medium: oil canvas. 19 x 15 inches. Provenance: private owner.
Biography: 1874/75 - 1945. Known for his Tonalist* nature paintings, especially snow scenes, in conservative style, John Carlson was one of the leading landscape painters in America in the early 20th century. He founded the John F Carlson School of Landscape painting in Woodstock, New York, and in 1942, co-founded with Emile Gruppe a summer school in Gloucester. He was a proponent of juxtaposing light and shadow to capture the changing moods of nature.He spent his childhood in Kalmar-Lan, Sweden, and immigrated at age 10 with his family to Brooklyn, New York and later to Buffalo. His father, encouraging his son's art talent, hired a private tutor, and he later attended the Buffalo Albright Art School* where his teacher was Lucius Hitchcock. In 1902, he enrolled on a scholarship at the Art Students League* in New York City, and his teachers were Frank Vincent DuMond and Birge Harrison. He and Harrison became very close friends, and Carlson joined his teacher at Woodstock but decided he did not like the regimentation.However, in 1906, he returned to Woodstock as Harrison's assistant, and also became active in the Arts and Crafts Movement at Woodstock as part of the Byrdcliffe Colony*. In 1909, he had his first one-man show in New York City. In 1911, he was elected to the National Academy of Design* and made a full academician in 1925 and until 1916, became director of the Art Students League summer school.After traveling extensively in the United States, he returned to Woodstock and founded his own school. He also helped found the Broadmoor Art Academy* in Colorado Springs, and painted frequently in the Canadian Rockies and Gloucester, Massachusetts.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Mint, based on the description