BOOKS ON MICHELANGELO & RAFAEL

Raphael. The Works of Michelangelo, slipcase. The Complete Works of Michelangelo.

*slipcase has mold, dust jackets have wear

11 1/2" X 14 1/2"


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Image Text

Image 1:



The complete work of
RAPHAEL
By MARIA GRAZIA CIARDI DUPRÉ
The
complete
work
of
RAPHAEL
By
MARIA
GRAZIA
CIARDI
DUPRÉ

Image 2:



Raffaello San
creative spirit
creators of
Raffaello le
Perugino, wb
of his works
the palace
himself orph
work as an
fourteen he
influence of
Perugia and
altarpiece, n
the coronati
be done in
admirable d
existence. T
age for Raffa
Henceforth
them in the
and energy
"S. Nicola
"Coronation
Perugia. In
Città di Ca
fixion", and
Having thus
century, the
Raffaello © MCMLXXIX by Fabbri Editori, Milan, Italy
moved to Fl
English Translation
Raffaello
San
creative
spirit
died,
creators
of
himself
a
recognize
classical
Raffaello
Perugino,
wb
father.
of
his
works
the
palace
With
the
himself
orph
work
as
an
fourteen
predella
influence
of
Perugia
and
altarpiece,
n
the
coronati
seventeen
be
done
in
admirable
d
existence.
T
age
for
Raffa
Henceforth
them
in
the
and
energy
Nicola
"Coronation
Perugia.
In
di
Ca
fixion",
the
Having
thus
century,
the
Raffaello
©
MCMLXXIX
by
Fabbri
Editori,
Milan,
Italy
moved
to
Fl
English
Translation

Image 3:



The Avenel Art Libra
RAPHAEL
anduca
By Maria Grazia Ciar
works
erious
phael's
less of
we
Raphael was the younges
revolutionary
Renaissance.
had
had achieved the status
And though he lived only
The
and the popes in Rome.
in the
with two of the most for
ve
with
the history
of Western a
ip and
in
most important portrait
phael's
frescoes for the Varican
face of
humanism
The
Avenel
Art
RAPHAEL
anduca
By
Maria
Grazia
Ciar
works
erious
With
over
56
plates
phael's
less
of
we
picture
Raphael
was
the
younges
Before
the
to
revolutionary
Renaissance.
had
had
achieved
the
status
And
though
he
lived
he
for
The
demanding
the
and
the
popes
in
Rome.
in
the
with
of
the
most
for
ve
with
the
history
of
Western
a
ip
and
He
was
in
important
portrait
phael's
frescoes
for
the
Varican
face
of
revolutionized
the
humanism

Image 4:



of house by the
Jacopo
case
Galli
San
who
and
Lorenzo
in
must
fidelity
Damaso. in been the among drawing with collection antique hand the
the
perhaps by right
original
(Die
be
The
i.e
los
Apollo
Michelangelo with by the Martin exception pieces Van in Before of Heemskerk H but garden Wolfflin in was any
Michelangelo
used
date
of
which
marble
have
be
that
described
by
appendaged
to
19
the with
large bought letter Munich, (Delle from
house
by
the
Jacopo
case
with
grea
the
Galli
San
who
and
Lorenzo
in
must
fidelity
been
the
among
drawing
with
collection
antique
hand
the
the
perhaps
by
right
original
(Die
be
The
i.e
los
Apollo
Michelangelo
with
by
the
Martin
exception
pieces
Van
in
Before
of
H
but
garden
Wolfflin
in
was
any
Michelangelo
used
date
of
which
marble
have
be
that
described
by
appendaged
to
19
the
with
bought
letter
(Delle
from

Image 5:



Albertina
Vienna,
the
from
man
Nude
(20).
Vienna, Albertina (20).
32 Madonna of the
35 Sketches of Apostle and battle. London, British
Museum (23).
39
396
Albertina
Vienna,
the
from
man
Nude
(20).
Vienna,
Albertina
32
Madonna
of the
34
Various
notes.
Uffizi
35
Sketches
of
Apostle
and
battle.
London,
British
Museum
(23).
39
396

Image 6:



The World of
Michelangelo
The
World
of
Michelangelo

Image 7:



About the Author:
Robert Coughlan, reporter and editor for Time Inc. for more than 25 years, is the
author of biographies of William Faulkner and Maurice Utrillo, His interest in
House of Medici,
Michelangelo grew out of his research into Renaissance Florence and the
book on Lorenzo In IS years of collecting material on the
for
in preparation
Renaissance he has traveled widely in Italy and Europe, and for two years lived in Rome.
The Consulting Editor:
H W Janson is Professor of Fine Arts at New York University where he is also
Chairman of the
Department of Fine Arts at Washington Square College Among his
About
the
Author:
Robert
Coughlan,
reporter
and
editor
for
Time
Inc.
for
more
than
is
the
author
of
William
Faulkner
and
Maurice
His
interest
in
House
of Medici,
Michelangelo
grew
out
of his
research
into
Renaissance
Florence
and
the
book
on
Lorenzo
In
years
of
collecting
material
on
the
for
in
preparation
Renaissance
he
has
traveled
widely
in
Italy
and
Europe,
and
for
two
years
lived
in
The
Consulting
Editor:
H
W
Janson
is
Professor
of
Fine
Arts
at
New
York
where
he is
also
Chairman
of the
Department
of Fine
Arts
at
Washington
Square
Among
his

Image 8:



ofLight from Darkness Michelangelo gave visual
Ceiling
so big that he was forced to lower their pedestals make
Nooplatonic notion popular in the Renaissance- expression -that
and be gave such energy to the nude
of the body
prophets, still human, but elevated spiritually by their gift
were
of himself, and the size of his figures began to increase
that the
middle of the ceiling nine separate panels, he painted
the
Darkness
Michelangelo
gave
visual
Ceiling
so big that he
was
forced to lower
their
pedestals
make
enthroned
sibyls
and
Old Testament
popular in the
Renaissance-
expression
-that
Sistine
demonstrates
the scope
and
and be
gave such energy
to the
nude
of the
body
prophets,
but elevated
spiritually
by their gift
soul in
Working
out this
And in the
third
running down the
were
in paint, he
became
increasingly
increasingly sure
of himself, and
the
size of his figures
began
to increase
medallion-bearers
corners
the
100
final phase,
and
overlapping
had
the
soon
Genesis
twisted
of the
out
of their
about
that
the
middle of
the
ceiling
nine separate
panels,
he painted



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