Lot 0141

Gillray (James) Affability, etching and aquatint with hand-colouring, 1795.

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James Gillray (British, 1757-1815), Morning: hand-colored etching and aquatint, 1785, presented in uniform matting and framing. Image Size 12 3/8 x 9 1/2 in.; DOA 19 1/2 x 16 1/8 in. The Estate of William Lee Pritchard, M.D., Charlotte, NC Addit

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James Pollard Etching with Aquatint Four in Hand: James Pollard (British, 1792-1867) etching with aquatint, Four in Hand. 15 3/4" x 22 1/2" (with frame: 24" x 30 1/2"). Not examined out of frame.

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Daniell (Thomas) Five plates, from "Views in Calcutta", etchings with aquatint, [c. 1788] (5): Daniell (Thomas) Five plates, from "Views in Calcutta", from a set of 12, etchings and aquatint with hand-colouring, images each approx. 405 x 525 mm (16 x 20 3/4 in), laid onto paper mounts [?] as is

2023Daniell (Thomas) Five plates, from "Views in Calcutta", etchings with aquatint, [c. 1788] (5)See Sold Price

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James Rosenquist "Swing Screen" etching and aquatint: JAMES ROSENQUIST (American 1933-2017) "Swing Screen" Etching and aquatint. Sheet: 22 3/4 x 39 1/2 inches; Frame 30 x 43 inches. Signed and dated lower right: Rosenquist 1979, titled in lower center: "

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Salt (Henry) Three plates from 'Twenty Four Views in St. Helena, the Cape, India...', aquatints,: Salt (Henry) Three plates from 'Twenty Four Views in St. Helena, the Cape, India...', etchings and aquatint, by D. Havell, all with vibrant hand-colouring, on thick Whatman wove paper with watermarks,

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John James Audubon: (New York, 1785-1851) White Ibis, Plate CCXXII, from [The Birds of America], London, 1827-1838, Havell edition, handcolored engraving with etching and aquatint on wove paper with watermark for "J. Wha

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James Rosenquist - Swing Screen: Artist: James Rosenquist Title: Swing Screen Year: 1979 Dimensions: 23 3/4in. by 41in. Edition: From the limited edition of 78 Medium: Original etching with aqu

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James Gillray (British, 1757-1815), John Bull Ground: hand-colored etching on wove paper, published in 1795 by Hannah Humphrey, London, matted and framed. Platemark 9 3/4 x 13 5/8 in.; Sheet Size 11 3/8 x 15 3/8 in.; DOA 16 1/8 x 20 in. The Estate of Wil

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after John James Audubon (1785-1851) American: OLIVE SIDED FLYCATCHER, from Birds of America, plate 174, 1833, hand-colored engraving, etching and aquatint by Robert Havell, plate 19 ½ x 12 ¼” sight 20 x 12 ¾”, frame 40

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J.J. Audubon ''Yellow Bird or American Goldfinch'': J.J. Audubon ''Yellow Bird or American Goldfinch'' Plate 33 Tinted Aquatint Etching 19.5''x12.25'' Impression. Likely an original impression by John James Audubon, engraved by R. Havell London 1828. N

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J & R Pollard 1826 Lot of 3 Rare HCol Cockfighting: Hand Colored Aquatint Etching Published 1823-26, London by R. Pollard. Drawn by James Pollard. Three Prints (of the set of 4?) Rare, separately published Aquatints depicting Cockfighting Cocks - "The

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Robert Motherwell Etching & Aquatint: Robert Motherwell, American, 1915-1991. Lift ground etching and aquatint on paper is entitled "Gesture IV", 1977. Signed and numbered 29/100 in pencil at the lower right, artist's embossed stamp "Robe

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Joan Miro Large Signed Etching Aquatint ed75: Title: Joan Miro Large Signed Etching Aquatint ed75 Description:Joan Miro Large Signed Etching Aquatint ed75 Signature: Signed lower right, numbered 30/75 lower left Circa Date: <

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JOAN MIRO (SPAIN 1893-1983) COLOR ETCHING AQUATINT: Joan Miro (SPANISH / FRANCE, 1893 - 1983) limited edition color etching and aquatint on rives paper having an abstract design from the "Fusees" suite executed circa 1959. Pencil signed to lower right

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Joel Ostlind Summer Bulls Etching Aquatint Hand Signed Wildlife Art: This lot includes:Gallery COA & free domestic shipping (*insurance and international shipping for an additional charge)Artist: Joel OstlindTitle: Summer BullsMedium: Etching & AquatintSize: archival m

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Gillray (James) Affability, etching and aquatint with hand-colouring, 1795.

Item Details

Description

Gillray (James) Affability, etching and aquatint with original hand-colouring, an excellent impression on cream wove paper, sheet 337 x 235 mm (13 1/4 x 9 1/4 in), trimmed within the platemark, carefully remargined, unframed, [BM Satires 8616], Hannah Humphrey, 1795.

⁂ A classic satire on the attempts in the mid 1790s to capitalise on George III's ordinariness, and to establish him as the well-loved Father of his People.