JANSON HISTORY OF ART REVISED FIFTH EDITION HC

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Image Text

Image 1:



HISTORY OF ART
JANSON
REVISED FIFTH EDITION
HISTORY OF ART
REVISED
H. W. JANSON ANTHONY F. JANSON
EDITION
FIFTH
PRENTICE
HALL
ABRAMS
HISTORY
OF
ART
JANSON
REVISED
FIFTH
EDITION
HISTORY
OF
ART
REVISED
W.
JANSON
ANTHONY
F.
JANSON
EDITION
FIFTH
PRENTICE
HALL
ABRAMS

Image 2:



HISTORY OF ART
REVISED
FIFTH
EDITION
HALL
PRENTICE
ABRAMS
HISTORY
OF
ART
REVISED
FIFTH
EDITION
HALL
PRENTICE
ABRAMS

Image 3:



Project director: JULIA MOORE
Editor: JOANNE
The Ja
editor:
is rich
cultur:
from a
ern er
LYDIA GERSHEY YONAH SCHURINK
ТЯА Assistant Art director: with LYDIA MONICA GREENSPUN GERSHEY DKI МЕНТА
Designers:
mainly
such
OF COMMUNIGRAPH
guilds
rewor
icant
The Library of Congress has cataloged the trade edition of this book as follows:
added
Janson, H. W. (Horst Woldemar), 1913-
Th
History of art / H. .W. Janson, Anthony F. Janson.-5th ed. rev. / Anthony F.
Janson.
cm.
p.
Includes bibliographical references and index.
passes
ISBN-0-8109-3442-6
color
Project
director:
JULIA
MOORE
Editor:
JOANNE
The
editor:
is
rich
Fifth
cultur:
from
ern
er
LYDIA
GERSHEY
YONAH
SCHURINK
ТЯА
Assistant
Art
director:
with
LYDIA
MONICA
GREENSPUN
GERSHEY
Designers:
mainly
such
OF
COMMUNIGRAPH
guilds
rewor
that
icant
The
Library
of
Congress
has
cataloged
the
trade
edition
of
this
book
as
follows:
added
sary
Janson,
W.
(Horst
Woldemar),
1913-
Th
History
of
Janson,
Anthony
F.
Janson.-5th
ed.
rev. / Anthony
F.
Janson.
cm.
p.
Includes
bibliographical
references
and
index.
passes
ISBN-0-8109-3442-6
color
I.
Janson,
Anthony
F.

Image 4:



Duomo
Florence
Lorenzo
Ghiberti
Baptistery of
Florence
bronze, height
DONATELLO'S LATER WORKS When Donatello went
home to Florence after decade's absence he
must have felt
like a stranger. The political and spiritual climate had changed,
and SO had the taste of artists and public (see page 409) His
subsequent works, between 1453 and 1466 stand apart from
the dominant trend. Perhaps that IS why their fierce expres-
siveness
Duomo
Florence
Lorenzo
Ghiberti
Baptistery of
Florence
Equestrian
Monument
of
m).
Piazza del
Padua
bronze,
height
(4.57 m)
DONATELLO'S
LATER
When
Donatello
went
home
to
Florence
after
decade's
absence
he
must
have
felt
The
political
and
spiritual
climate had
changed,
and
had
the
taste
of artists
and
public
(see
page
409)
His
subsequent
works,
between
1453
and
1466
stand
apart
from
the
dominant
trend.
Perhaps
that
why
their
fierce
expres-
siveness



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