NANCY BURSON (1948-), UNTITLED, from FACES, 1992 vintage gelatin silver print; 15 x 15 in. (image), 16 x 20 in. (sheet); signed, titled, dated, and numbered (2/8) recto in ink. Published in Faces (Twin Palms, 1993). Condition: Excellent. NBU-0002

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NANCY BURSON

Acclaimed artist/photographer Nancy Burson’s work is shown in museums and galleries internationally. “Seeing and Believing,” her traveling 2002 retrospective originating at the Grey Art Gallery, was nominated for Best Solo Museum Show of the Year in New York City by the International Association of Art Critics. She has served as a visiting professor at Harvard and was a member of the adjunct photography faculty at New York University’s Tisch School of the Arts for five years. Burson currently books events and reviews portfolios for the Photography Department at the New York Film Academy in NYC.

Nancy Burson combined art and innovation in a way that challenged photographic truth at the birth of digital manipulation. She is best known for her pioneering work in morphing technologies which age enhance the human face and still enable law enforcement officials to locate missing children and adults. Her Human Race Machine, which allows people to view themselves as a different race, is still used as an educational diversity tool that provides viewers with the profound visual experience of being another race.

Her work is included in museums worldwide including the MoMA, Metropolitan Museum, and the Whitney Museum in New York City, as well as the Victoria and Albert Museum in London, the Center Georges Pompidou in Paris, the LA County Museum of Art, MoMA (San Francisco), the Museum of Fine Arts in Houston, and the Smithsonian Museum in Washington DC, as well as many others. She has collaborated with Creative Time, the Lower Manhattan Cultural Council, and Deutsche Bank in completing several important public art projects in NYC. These projects include the poster project, “Visualize This” (Creative Time, 1991), the billboard ‘There’s No Gene For Race” (2000), the poster/postcard project “Focus on Peace”, commissioned for the first anniversary of 9/11, and “Looking Up” and “Truth”, at the 60 Wall St. Atrium, 2005. In the last few years, Burson’s public artworks have been displayed as works projected in light in both the Berlin Festival of Light and the New York Festival of Light.

One of Burson’s images was recently chosen for Time magazine’s new book: 100 Photographs, The Most Influential Images of All Time. Her work has been featured in all forms of media including segments on Oprah, Good Morning America, CNN, National Public Radio, PBS, and Fuji TV News, as well as countless local TV segments in the USA, Canada and Europe. Prominent articles featuring her work have appeared in The New York Times Magazine, The New York Times, The Baltimore Sun, The Houston Chronicle, and Scientific American magazine to name a few. There are four monographs of her work and reproductions of it appear in hundreds of art catalogs. It is also widely featured in text books on the history of photography published in all languages.

Burson’s new TogetherAllOne concepts and designs promote the concept of global unity and encompass everything from interactive children’s books to projected lighting installations and public sculptures.

Nancy Burson’s photographs are in the permanent collections of a number of institutions including: the International Museum of Photography, George Eastman House, Rochester, New York; Los Angeles County Museum of Art; National Museum of American Art, Smithsonian Institution, Washington, DC; and the San Francisco Museum of Modern Art, among many other private and international public collections. Burson lives and works in New York.

© Clampart, New York and ©Museum of Contemporary Photography, Columbia College, Chicago

Excellent

16 x 20 in