comprising four works by Asa Cheffetz (American, 1897-1965), each woodcut in black and white, each signed in pencil ("Late Afternoon, Vermont", Image: 5 x 9 in., Sheet: 10 x 13 1/2 in., "Winter in Southampton", Image: 4 3/4 x 10 in., Sheet: 10 x 13 in., "Bridge Over Mad River", Image: 5 1/4 x 7 1/2, Sheet: 10 1/2 x 12 1/2 in., and "Two Old Timers", Image: 6 x 9 in., Sheet: 10 1/2 x 13 1/2 in.); Luigi Lucioni (1900 - 1988), depicting a barn in a landscape, etching on paper, signed in pencil (Image: 6 1/2 x 10 in., Sheet: 11 x 13 in.); Jose Ignacio Aquirre (1902-1990), "Mexican Girl", lithograph in black and white on paper, signed in pencil (Image: 12 1/2 x 9 in., Sheet: 16 1/2 x 11 3/4 in.); Joseph Hirsch (1910-1981),"Father and Son", lithograph, signed in pencil (Image: 9 1/2 x 11 3/4 in., Sheet: 12 1/4 x 16 1/4 in.); and three color engravings, each pencil-signed illegibly (Sheets: 11 1/2 x 9 3/4 in., 12 x 9 in. and 9 3/4 x 12 in.); together with an offset print after Julien Van Santen (1893-1959): inscribed "after Van Santen" lower right (Sheet: 7 1/2 x 10 1/2 in.) [11 pieces] with a portfolio box: 4 x 23 1/4 x 17 1/4 in. (10.2 x 59.1 x 43.8 cm.)