SHEOJUK ETIDLOOIE, INUIT, Shaman's Hands, 1998 #24
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Description
SHEOJUK ETIDLOOIE (1932-1999) KINNGAIT (CAPE DORSET)
Shaman's Hands, 1998 #24
Printmaker: STUDIO PM, Montreal
etching and aquatint, plate: 23.5 x 24.75 in (59.7 x 62.9 cm) / sheet: 32.25 x 31.5 in (81.9 x 80 cm)
41/50
ESTIMATE: $2,500 — $3,500
Provenance
Collection of John and Joyce Price, Seattle.
Late in life, Sheojuk Etidlooie enjoyed a short but brilliant art career. Her work immediately stood out as being fresh and unique. As one of twelve prints in the 1998 annual collection, Shaman’s Hands fits within Sheojuk’s tendency to combine the loosely naturalistic with the outright fantastical. The shaman’s abbreviated facial features peer out from under a massive hood (which eerily echoes his face); his disembodied hands float like gloves; his bare-chested body is legless. Both his face and chest appear strangely wrinkled or scarred. It’s a remarkable image, simultaneously spooky and hilarious, with a shaman who appears at once ancient and infantile. This work, masterfully printed by Studio PM, resembles another print from the collection, Shaman’s Trance (1998 #25); we would love to have observed Sheojuk working through these ideas during her drawing sessions at the Kinngait studio.
References: For biographical information and other works by the artist, see First Arts, The Graphic Art of Sheojuk Etidlooie, exh. 26 Jan - 22 February 2021. For similar works by the artist see the First Arts online exhibition Etching and Aquatint: Free Flowing Experimentation, September-October 2020, viewable on this website.
Shaman's Hands, 1998 #24
Printmaker: STUDIO PM, Montreal
etching and aquatint, plate: 23.5 x 24.75 in (59.7 x 62.9 cm) / sheet: 32.25 x 31.5 in (81.9 x 80 cm)
41/50
ESTIMATE: $2,500 — $3,500
Provenance
Collection of John and Joyce Price, Seattle.
Late in life, Sheojuk Etidlooie enjoyed a short but brilliant art career. Her work immediately stood out as being fresh and unique. As one of twelve prints in the 1998 annual collection, Shaman’s Hands fits within Sheojuk’s tendency to combine the loosely naturalistic with the outright fantastical. The shaman’s abbreviated facial features peer out from under a massive hood (which eerily echoes his face); his disembodied hands float like gloves; his bare-chested body is legless. Both his face and chest appear strangely wrinkled or scarred. It’s a remarkable image, simultaneously spooky and hilarious, with a shaman who appears at once ancient and infantile. This work, masterfully printed by Studio PM, resembles another print from the collection, Shaman’s Trance (1998 #25); we would love to have observed Sheojuk working through these ideas during her drawing sessions at the Kinngait studio.
References: For biographical information and other works by the artist, see First Arts, The Graphic Art of Sheojuk Etidlooie, exh. 26 Jan - 22 February 2021. For similar works by the artist see the First Arts online exhibition Etching and Aquatint: Free Flowing Experimentation, September-October 2020, viewable on this website.
Condition
The absence of condition does not imply that an item is free from defects, nor does a reference to particular defects imply the absence of any others. Our team can provide thorough and comprehensive condition reports and additional images. We welcome your enquiries at info@firstarts.ca or 647-286-5012.
NOTE
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NOTE
Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported.
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SHEOJUK ETIDLOOIE, INUIT, Shaman's Hands, 1998 #24
Estimate CA$2,500 - CA$3,500
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