ELIZABETH NUTARAALUK AULATJUT, INUIT, Kneeling Woman, late 1980s
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Description
ELIZABETH NUTARAALUK AULATJUT (1914-1998) ARVIAT (ESKIMO POINT)
Kneeling Woman, late 1980s
stone, 6 x 7 x 5.5 in (15.2 x 17.8 x 14 cm)
signed, "ᓄᑕᒐᓗ".
ESTIMATE: $1,800 — $2,800
Provenance
Private Collection, USA.
As recognizable as her earlier works are for their strength in pose, emotional content, and distinctive carved features, Elizabeth Nutaraaluk’s later works are known for their simpler, blocky forms and brutalism. For a late sculpture, Kneeling Woman is a surprisingly charming study in planes and angles, almost cubist in style. With its degree of geometric minimalism, it might almost be mistaken for a work by John Pangnark. But the stark facial features show Nutaraaluk’s hand, and her trademark pair of hatch-mark braids running along the woman’s back leave no doubt as to this sculpture’s authorship.
References: For other late-career works by the artist, see First Arts, Toronto, 5 December 2022, Lot 128, and First Arts, Toronto, 14 June 2022, Lot 2. See Ingo Hessel, Inuit Art: An Introduction, (Vancouver: Douglas & McIntyre / New York: Harry Abrams / London: British Museum Press, 1998), fig. 104. For another depiction of a kneeling woman, see Kneeling Woman and Bird in Walker’s Auctions, Ottawa, 22 November 2017, Lot 6.
Kneeling Woman, late 1980s
stone, 6 x 7 x 5.5 in (15.2 x 17.8 x 14 cm)
signed, "ᓄᑕᒐᓗ".
ESTIMATE: $1,800 — $2,800
Provenance
Private Collection, USA.
As recognizable as her earlier works are for their strength in pose, emotional content, and distinctive carved features, Elizabeth Nutaraaluk’s later works are known for their simpler, blocky forms and brutalism. For a late sculpture, Kneeling Woman is a surprisingly charming study in planes and angles, almost cubist in style. With its degree of geometric minimalism, it might almost be mistaken for a work by John Pangnark. But the stark facial features show Nutaraaluk’s hand, and her trademark pair of hatch-mark braids running along the woman’s back leave no doubt as to this sculpture’s authorship.
References: For other late-career works by the artist, see First Arts, Toronto, 5 December 2022, Lot 128, and First Arts, Toronto, 14 June 2022, Lot 2. See Ingo Hessel, Inuit Art: An Introduction, (Vancouver: Douglas & McIntyre / New York: Harry Abrams / London: British Museum Press, 1998), fig. 104. For another depiction of a kneeling woman, see Kneeling Woman and Bird in Walker’s Auctions, Ottawa, 22 November 2017, Lot 6.
Condition
The absence of condition does not imply that an item is free from defects, nor does a reference to particular defects imply the absence of any others. Our team can provide thorough and comprehensive condition reports and additional images. We welcome your enquiries at info@firstarts.ca or 647-286-5012.
NOTE
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NOTE
Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported.
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ELIZABETH NUTARAALUK AULATJUT, INUIT, Kneeling Woman, late 1980s
Estimate CA$1,800 - CA$2,800
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