Lot 0203

Rembrandt van Rijn. Jews in the Synagogue (1648). New Hollstein 242, VII/IX Medium-weight, cream

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Rembrandt van Rijn (1606-1669) Pharisees in the Temple (Jews in the Synagogue): Rembrandt van Rijn (1606-1669)Pharisees in the Temple (Jews in the Synagogue)Etching and drypoint, 1648, but a later impression of New Hollstein's final state (of nine), on cream laid paper without wa

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Rembrandt van Rijn. St. Jerome Kneeling in Prayer, Looking Down (1635). New Hollstein 142, II/II: Rembrandt van Rijn. St. Jerome Kneeling in Prayer, Looking Down (1635). New Hollstein 142, II/II Medium-weight, cream laid paper. 1/16" margins all around. No visible watermark. Overall including part

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Rembrandt van Rijn. Christ and the Woman of Samaria: An Arched Print (1657). New Hollstein 302, IV/V: Rembrandt van Rijn. Christ and the Woman of Samaria: An Arched Print (1657). New Hollstein 302, IV/V Sturdy, medium-weight cream laid paper. 1/16" margins all around. No visible watermark. The Tip of

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Rembrandt, etching, Jews in the Synagogue: Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Jews in the Synagogue (B. 126; H. 234; New Holl. 242), 1648 etching and drypoint on laid paper a H.L. Basan impression with no watermarks, New Hollsteins

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Rembrandt van Rijn (1606-1669) The Landscape with the Cow: Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, but a later impression of New Hollstein's final state (of 5), on cream laid paper without watermark, platemark 105 x 130 mm

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** Rembrandt van Rijn (1606-1669) Beggars Receiving Alms at the Door of a House: ** Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good bold but later impression of new Hollstein's third state (of five), on cream laid paper

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Rembrandt van Rijn (1606-1669) Christ seated disputing with the doctors: Rembrandt van Rijn (1606-1669)Christ seated disputing with the doctorsEtching with touches of drypoint, 1654, a good but later impression of New Hollstein's second state (of two), on cream laid paper

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Rembrandt van Rijn (1606-1669) The Card Player: Rembrandt van Rijn (1606-1669)The Card PlayerEtching, 1641, a good but a later impression of New Hollstein's fifth state (of five), on cream wove paper without watermark, platemark 91 x 83 mm (3 5/8 x

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Rembrandt van Rijn (1606-1669) Peter and John Healing the Cripple at the Gate of the Temple: Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, but a later impression of New Hollstein's sixth state (of six), on cream laid pape

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Rembrandt van Rijn (1606-1669) A Scholar in his Study ('Faust'): Rembrandt van Rijn (1606-1669)A Scholar in his Study ('Faust')Etching and drypoint, circa 1652, but a later impression of New Hollstein's final state (of seven) on cream laid paper without watermark,

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Rembrandt van Rijn (1606-1669) The Virgin and Child with the Cat and the Snake: Rembrandt van Rijn (1606-1669)The Virgin and Child with the Cat and the SnakeEtching, 1654, a very good but later impression of New Hollstein's final state (of four), on cream laid paper without water

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Rembrandt van Rijn (1606-1669) Woman Bathing her Feet at a Brook: Rembrandt van Rijn (1606-1669)Woman Bathing her Feet at a BrookEtching and drypoint, 1658, but a later impression of New Hollstein's final state (of two), on thick cream laid paper without watermark,

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Rembrandt van Rijn (1606-1669) Studies of the Head of Saskia and Others: Rembrandt van Rijn (1606-1669)Studies of the Head of Saskia and OthersEtching, 1636, but a later impression of New Hollstein's second state (of two), on thick cream laid paper without watermark, plate

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Rembrandt van Rijn (1606-1669) Three Heads of Women, One Asleep: Rembrandt van Rijn (1606-1669)Three Heads of Women, One AsleepEtching, 1637, but a later impression of New Hollstein's third state (of three) on thick cream laid paper without watermark, platemark 142

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Rembrandt van Rijn (1606-1669) Jan Lutma, Goldsmith: Rembrandt van Rijn (1606-1669)Jan Lutma, GoldsmithEtching and drypoint, 1656, but a later well inked impression of New Hollstein's fifth state (of five) on thick cream laid paper without watermark, pl

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Rembrandt van Rijn (1606-1669) The Pancake Woman: Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with plate tone on cream laid paper without watermark, pla

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Rembrandt van Rijn. Jews in the Synagogue (1648). New Hollstein 242, VII/IX Medium-weight, cream

Item Details

Description

Rembrandt van Rijn. Jews in the Synagogue (1648). New Hollstein 242, VII/IX Medium-weight, cream laid paper. Trimmed along or outside the platemark top, right and bottom; left edge trimmed fractionally inside platemark. No visible watermark. Overall including partially mounted backing sheet: 8 1/2" x 11 3/4". Provenance: The Winfield Robbins print collection of Arlington, Massachusetts.

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Rembrandt van Rijn. Jews in the Synagogue (1648). New Hollstein 242, VII/IX Medium-weight, cream

Name: Rembrandt van Rijn. Jews in the Synagogue (1648). New Hollstein 242, VII/IX Medium-weight, cream
SKU: 170670438
Price: 1600 USD
Availability: InStock