About the Item
The list of what goes into the making of these large and complex paintings includes everything from precious small-batch oil paints to common house paint, along with tar, acrylic paint, charcoal, pastel, lacquer and modeling paste. Influences include Robert Rauschenberg, Julian Schnabel and Terry Winters. But the most direct inspiration for this series was the show of Albert Oehlen's paintings at the Gagosian in 2012, arousing “a sense of delight and play” that harkens back to Rauschenberg's combine paintings of the late 50's. This is part of a series that has been ongoing for several years, but the paintings up to now have all been sold privately, directly to collectors and designers, often before completion. There is no availability in the secondary (auction) market of now. These paintings have been placed not only in contemporary settings, but surprisingly in rooms of fine antiques as well, creating a tension between the classic and the contemporary -- like the abstract works you sometimes see in uber-traditional dining and living rooms of famous collectors. This is a large painting that will make its present felt throughout an entire room. More paintings in this series will be posted over the next few weeks as they are photographed. “These paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of passages of color with Twomblyish drawing providing form, a style that is easily mimicked and has become a sort of “safe” style. There are confident decisions in these paintings appearing as commitments of strongly delineated forms that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being loud or decorative. " Artbeit Zeitschrift
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Creator:
G. Campbell Lyman (1960, American)
Creation Year:
2019
Dimensions:
Height: 36 in (91.44 cm)Width: 48 in (121.92 cm)
Medium:
Mixed Media
Movement & Style:
Abstract Expressionist
Period:
2010-
Condition:
New

Reserve: $2,900.00

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Location: This item ships from Louisiana

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