A Chopped Altar Panel With A Scene Of The Laying Of The Crown Of Thorns. Ecce Homo, Castilian School Auction
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A chopped altar panel with a scene of the Laying of the Crown of Thorns. Ecce Homo, Castilian School
A chopped altar panel with a scene of the Laying of the Crown of Thorns. Ecce Homo, Castilian School
Item Details
Description
16th century chopped altar panel with a scene of the Laying of the Crown of Thorns. Demonstrates one of the episodes of the passion cycle, where Christ humbly accepts torment from the executioner spitting in his face. The characters are compositionally, psychologically and symbolically opposed to each other and depicted Width: 64cm, Height: 92cm, Depth: 2.5cm, Weight: 10kg, Condition: Exc., Usual restorations, Material: Oil
Condition
Good
Dimensions
92 x 64 x 2.5 cm
Weight
10 kg
Buyer's Premium
  • 30%

A chopped altar panel with a scene of the Laying of the Crown of Thorns. Ecce Homo, Castilian School

Estimate €8,000 - €12,000
Current Price (1 bid)

€5,000

Starting Price €5,000
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Item located in Riga, Riga, LV
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ANTIQON

ANTIQON

Riga, Latvia
5 Reviews
151 Followers

Live Fine and Applied Art Auction 9 - Part I

May 18, 2024 5:00 AM EDT|
Riga, Riga, LV
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Graphic portrait of a young man in a beret. In the spirit of Jean Clouet: Drawing: watercolor, pencil. Portrait of a young man in a beret. In the spirit of Jean Clouet (1480-1541) Sheet dimensions: 31x21.5 cm. Width: 35cm, Height: 44.5cm, Depth: 2cm, Weight: 1kg,
May 18, 2024Graphic portrait of a young man in a beret. In the spirit of Jean Clouet
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Drawing from the series Stage costumes Erte.: Drawing from the Stage Costumes series. Mixed graphic technique. Installed in a frame under glass. Signed in ink: Erte. Size without frame: 34 x 25.5 cm. Width: 38cm, Height: 46cm, Depth: 2cm,
May 18, 2024Drawing from the series Stage costumes Erte.
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B. Kustodiev. Sketch of the pavilion or Abundance panel. 1920s. Watercolor, pencil.: B. Kustodiev. Sketch of the pavilion or Abundance panel. 1920s. Watercolor, pencil. It represents a project of Soviet abundance, where a young peasant woman, in the center of the panel, holds above
May 18, 2024B. Kustodiev. Sketch of the pavilion or Abundance panel. 1920s. Watercolor, pencil.
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Ivan Aivazovsky. Watercolor. Crimean harbor. 1817-1900: Ivan Konstantinovich Aivazovsky. 1817-1900. Watercolor. Crimean harbor. Shows a view of a sea bay with a parking lot of Russians, warships, fishermen catching their catch, against the backdrop of a
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May 18, 2024ALEXEY PETROVICH BOGOLYUBOV (1824-1896). Astrakhan. Admiralty.
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Simeon Fedorov. Landscape Summer day. Second half of the 19th century.: Simeon Fedorov (1867-1910). Landscape Summer day. Subtly conveys the atmosphere of a hot summer day, where the warm Russian sun shines along the banks of the river with the aromas of herbs and the
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Alexandra Egorovna MAKOVSKY. Edge of the Forest (1887): Alexandra Egorovna MAKOVSKY (1837-1915). The edge of the forest (1887). Depicts a pause in nature - a summer country road after a rain, against the backdrop of a pine forest, where behind it, a
May 18, 2024Alexandra Egorovna MAKOVSKY. Edge of the Forest (1887)
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May 18, 2024Painting Spring. I. Pokhitonov.
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A. Stepanov. Seascape. Mooring a ship in a stormy sea. Second half of the 19th century.: A. Stepanov. Seascape. Mooring a ship in a stormy sea. Dedicated to the confrontation between man and the elements, where sailors on a boat are trying to bring mooring lines to the pier. They need to
May 18, 2024A. Stepanov. Seascape. Mooring a ship in a stormy sea. Second half of the 19th century.
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May 18, 2024L. Libert. View of Paris from the Seine.
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Julius Klever son. Still life of Chrysanthemums. 1920: Julius Klever son. Still life of Chrysanthemums. 1920 Three voluminous buds of white chrysanthemums are depicted against a picturesque brown-ocher background of a receding landscape. Cardboard, oil.
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I. Balandin. 1958 year. Pushkin in Mikhailovsky.: I. Balandin. 1958 year. Pushkin in Mikhailovsky. Pushkin is depicted as inspired at work in the interiors of a manor house in Mikhailovsky. Unframed size: 103 x 94 cm. Width: 106cm, Height: 116cm,
May 18, 2024I. Balandin. 1958 year. Pushkin in Mikhailovsky.
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Edmond VAN COPPENOLLE. Still life with lilacs. France. 19th century.: Edmond VAN COPPENOLLE (1843-1915). Still life with lilacs and roses. A dynamic, diagonal composition of branches of freshly cut lilacs and yellow roses, in a clay pot with green glaze. Set against
May 18, 2024Edmond VAN COPPENOLLE. Still life with lilacs. France. 19th century.
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RENAULT Fernand Albert (1887-1939). Couple in love. Under the canopy of trees.: RENAULT Fernand Albert (1887-1939). Couple in love. It represents a symbiosis of classical themes, Fauvian technique and impressionistic relationships in the painting of neo-traditionalism of the
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