69x68cm,Color paper vertical axis,Wu Guanzhong has his own view of artistic tradition. He is sceptical about the role of traditional Chinese ink painting techniques, such as various methods, tracing methods, and the three-in-one of poetry, calligraphy and painting in contemporary painting creation. In his opinion, this kind of program leads to the weakness of creativity and the rigidity of expression ability. Repeatedly using such programs to draw standardised symbolic schematics is no different from using "old language nagging old stories". He advocated that modern literati painting must absorb the nutrition of Western art, "from the tendency of single partial literary thinking to modern modelling spaces such as sculpture and architecture". For the theory of "absorbing foreign influences on the basis of tradition", he also believes that it is just a family's word. The changes of the times have bred new paintings. Traditional factors and foreign influences are the more important, and the painter can choose by himself. His choice is to use "modern Chinese and foreign languages" to make "the unique temperament of the Chinese nation recognised by the world".

Excellent condition