Lot 0044

§ ADRIAN WISZNIEWSKI (SCOTTISH 1958-)

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Â§ ADRIAN WISZNIEWSKI (SCOTTISH 1958-) PLOUGHMAN POET - 2013: Etching, P/P, signed and editioned in pencil to margin, published by Glasgow Print Studio, with their blindstamp(67cm x 50cm (26.5in x 19.75in))

2022Â§ ADRIAN WISZNIEWSKI (SCOTTISH 1958-) PLOUGHMAN POET - 2013See Sold Price

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â—† FRANCIS CAMPBELL BOILEAU CADELL R.S.A., R.S.W. (SCOTTISH 1883-1937) IONA, EAST BAY - THE LITTLE: â—† FRANCIS CAMPBELL BOILEAU CADELL R.S.A., R.S.W. (SCOTTISH 1883-1937) IONA, EAST BAY - THE LITTLE Signed, signed, titled and inscribed verso, oil on board(38cm x 45cm (15in x 17.75in))Provenanc

2022â—† FRANCIS CAMPBELL BOILEAU CADELL R.S.A., R.S.W. (SCOTTISH 1883-1937) IONA, EAST BAY - THE LITTLESee Sold Price

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â—† FRANCIS CAMPBELL BOILEAU CADELL R.S.A., R.S.W. (SCOTTISH 1883-1937) THE STEADING, c.1927: â—† FRANCIS CAMPBELL BOILEAU CADELL R.S.A., R.S.W. (SCOTTISH 1883-1937) THE STEADING, c.1927 Signed, oil on board(37.5cm x 45cm (14.75in x 17.75in))Provenance: Aitken Dott & Son Ltd, Edinburgh Ch

2022â—† FRANCIS CAMPBELL BOILEAU CADELL R.S.A., R.S.W. (SCOTTISH 1883-1937) THE STEADING, c.1927See Sold Price

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GEORGE LESLIE HUNTER (SCOTTISH 1877-1931) THE BLUE TABLECLOTH (STILL LIFE WITH TASSELLED FAN): GEORGE LESLIE HUNTER (SCOTTISH 1877-1931) THE BLUE TABLECLOTH (STILL LIFE WITH TASSELLED FAN) Signed, oil on canvas(53.5cm x 43cm (21in x 17in))Provenance: T. & R. Annan & Sons Ltd, Glasgow

2022GEORGE LESLIE HUNTER (SCOTTISH 1877-1931) THE BLUE TABLECLOTH (STILL LIFE WITH TASSELLED FAN)See Sold Price

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ARCHIBALD THORBURN (SCOTTISH 1860-1935) A COVEY OF GROUSE AMONGST THE BRACKEN: ARCHIBALD THORBURN (SCOTTISH 1860-1935) A COVEY OF GROUSE AMONGST THE BRACKEN Signed and dated 1934, watercolour and gouache(27cm x 37cm (10.5in x 14.5in))

2022ARCHIBALD THORBURN (SCOTTISH 1860-1935) A COVEY OF GROUSE AMONGST THE BRACKENSee Sold Price

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Â§ ? JACK VETTRIANO O.B.E. (SCOTTISH 1951-) BUSTED FLUSH: Signed lower left, oil on canvas(61cm x 51cm (24in x 20in))Exhibited: The Edinburgh GalleryNote: From the beginning, Jack Vettriano?s paintings have evoked a distinctive and fully-realised world, and

2022Â§ ? JACK VETTRIANO O.B.E. (SCOTTISH 1951-) BUSTED FLUSHSee Sold Price

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â—† ANCELL STRONACH (SCOTTISH 1901-1981) WHERE SINKS THE VOICE OF MUSIC INTO SILENCE: â—† ANCELL STRONACH (SCOTTISH 1901-1981) WHERE SINKS THE VOICE OF MUSIC INTO SILENCE Signed and dated 1924, oil on canvas(127cm x 102cm (50in x 40in))Provenance: Purchased from the Fine Art Socie

2022â—† ANCELL STRONACH (SCOTTISH 1901-1981) WHERE SINKS THE VOICE OF MUSIC INTO SILENCESee Sold Price

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Â§ ANNE REDPATH O.B.E., R.S.A., A.R.A., L.L.D., A.R.W.S., R.O.I., R.B.A. (SCOTTISH 1895-1965) WHITE: Â§ ANNE REDPATH O.B.E., R.S.A., A.R.A., L.L.D., A.R.W.S., R.O.I., R.B.A. (SCOTTISH 1895-1965) WHITE Signed, oil on board(51cm x 61cm (20in x 24in))Provenance: Duncan Miller Fine Arts, LondonIn 1961,

2022Â§ ANNE REDPATH O.B.E., R.S.A., A.R.A., L.L.D., A.R.W.S., R.O.I., R.B.A. (SCOTTISH 1895-1965) WHITESee Sold Price

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Montague Dawson "Stormy Weather Scottish Chief" O: Montague Dawson (1890-1973). Oil on canvas painting titled "Stormy Weather, Scottish Chief." Signed along the lower left. Label from Quester Gallery, Stonington, Connecticut, is adhered to the verso.

2020Montague Dawson "Stormy Weather Scottish Chief" OSee Sold Price

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PHILIP COLBERT (SCOTTISH 1979-) THE DEATH OF MARAT AND THE BIRTH OF THE LOBSTER: Signed, oil on canvas(180cm x 240.5cm (70.75in x 94in))Note:?I became an artist when I became a lobster?. ? Philip Colbert Lyon & Turnbull are proud to present to auction The Death of Marat and the Bi

2022PHILIP COLBERT (SCOTTISH 1979-) THE DEATH OF MARAT AND THE BIRTH OF THE LOBSTERSee Sold Price

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David Roberts (Scottish, 1796-1864) Christian and: David Roberts (Scottish, 1796-1864) Christian and Mohammedan Chapels on the Summit of Mount Sinai [Gabal Musa], 1839 watercolor, gouache, and graphite on paper titled and dated Feby. 20th 1839 by a di

2021David Roberts (Scottish, 1796-1864) Christian andSee Sold Price

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Â§ JOAN EARDLEY R.S.A. (SCOTTISH 1921-1963) A GLASGOW TENEMENT: Â§ JOAN EARDLEY R.S.A. (SCOTTISH 1921-1963) A GLASGOW TENEMENT Oil on board(38cm x 28cm (15in x 11in))Provenance: Aitken Dott & Son Ltd, The Scottish Gallery, Edinburgh

2022Â§ JOAN EARDLEY R.S.A. (SCOTTISH 1921-1963) A GLASGOW TENEMENTSee Sold Price

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Â§ JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) THE QUARRY AT TORRIDON: Â§ JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) THE QUARRY AT TORRIDON Signed and dated '23, oil on canvas(63.5cm x 76cm (25in x 30in))Provenance: Sothebyâ€™s, Gleneagles, 29 August 1995,

2022Â§ JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) THE QUARRY AT TORRIDONSee Sold Price

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Â§ ALISON WATT O.B.E., F.R.S.E., R.S.A. (SCOTTISH 1965-) CLARION (DIPTYCH): Oil on canvas(each 61cm x 61cm (24in x 24in))Qty: (2)

2022Â§ ALISON WATT O.B.E., F.R.S.E., R.S.A. (SCOTTISH 1965-) CLARION (DIPTYCH)See Sold Price

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WILLIAM STEWART MACGEORGE R.S.A. (SCOTTISH 1861-1931) BLUE HAZE OF THE HYACINTH: WILLIAM STEWART MACGEORGE R.S.A. (SCOTTISH 1861-1931) BLUE HAZE OF THE HYACINTH Signed, oil on canvas(71cm x 91cm (28in x 36in))Provenance: Carnegie Dunfermline TrustNote: Born in Castle Douglas in 18

2022WILLIAM STEWART MACGEORGE R.S.A. (SCOTTISH 1861-1931) BLUE HAZE OF THE HYACINTHSee Sold Price

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Antique carved oak Scottish paneling with figures: Antique carved oak Scottish paneling with figures. Early 19th century. Originally from a castle outside London, later installed in the Temple Bar at Olde Blind Dog Irish Pub, Atlanta, GA. 228"l x 75"h

2022Antique carved oak Scottish paneling with figuresSee Sold Price

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Item Details

Description

ADRIAN WISZNIEWSKI (SCOTTISH 1958-)
1958-1989
Signed lower right, dated 1985 to gallery label verso, oil on canvas
213.5cm x 244.5cm (84in x 96.25in)
Nicola Jacobs Gallery, London
Adrian Wiszniewski was born in Glasgow in 1958 and trained at Glasgow School of Art from 1979 to 1983. An oblique, poetic exploration of burgeoning adolescent sexuality typifies Wiszniewski’s subject matter, as does a current of melancholia. Akin to his peer and fellow ‘New Glasgow Boy’ Steven Campbell, there is something theatrical and mannered in his works, which again are often painted at a monumental, stage-set scale. He is known for his depictions of ‘languorous youths’; his figures often sharing similar features, usually representing some form of alter-ego for the artist, taking centre stage in dreamlike Arcadian landscapes. His work often feels heavy in symbolism, though the references are obscure. The overall effect is that we’ve somehow stumbled into the artist’s dream.