Merv Slotnick [b. 1941] American artist living in Maine. His work is in many collections throughout the United States, Canada, England, Australia, Germany, Denmark, Ireland, Iceland, Norway, France, etc. His work has been included in exhibitions at New York University; Maine Biennial; Arnot Art Museum, Elmira, NY; Mansfield State College, Pa.; Ball State Univ.; Edison Community College, Cape Coral, Florida; Center For The Arts, Midland, Michigan; Central Michigan Univ.; Saginaw Art Museum; Provincetown Art Association; Grand Rapids Art Museum; Battle Creek Arts Center, Mich.; All Michigan Artists Traveling Show [1970-73] which traveled to various colleges & universities in Michigan; Northern Arizona Univ.; Alaska Pacific Univ., plus others. Abstract expressionist and printmaker Slotnick was born in Lansing, Michigan, and received degrees from Adrian College, Central Michigan University, with additional work at Michigan State University. Slotnick was one of only 50 artists invited to exhibit in 2003's 'SANCTUARY' Exhibition at the Nobel Peace Prize forum held in the U.S. to honor the 100th anniversary of the Nobel Peace Prize. Two examples of Slotnick's work were exhibited in AMERICAN WORKS ON PAPER. The painter has also been honored to have had Virginia Mecklenburg (Head Curator, Painting & Sculpture, National Museum of American Art, Smithsonian) selected one of his works on paper for inclusion in the 16th Visual Arts Association National. Offered here is an original signed serigraph, approx. 3.5 x 4" plus wide margins. Signed with initials and numbered 1/8. Not dated but circa 1990. On antique laid paper from the 18th century [watermarked]. Title: The Critics. The paper this was printed on is form the former paper collection of William Ivins Jr. (1881 ñ 1961) was curator of the department of prints at the Metropolitan Museum of Art, New York, from its founding in 1916 until 1946, when he was succeeded by A. Hyatt Mayor. After nine years' legal practice, he was asked to take on the conservation and interpretation of the Met's print collection. He built up the remarkable collections that can be seen there today, and he wrote many prefaces to exhibition catalogues, as well as other, occasional pieces which were later collected and published. His best-known book is Prints and Visual Communication (MIT Press, 1969, ISBN 0-262-59002-6 (first published 1953 by Harvard University Press)), and his How Prints Look (1943, revised edition 1987) remains in print.

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