Full edition of 10 volumes of the series written by Marietta SHAGINIAN under pseudonym of Jim DOLLAR Mess-Mend Ili Yanki V Petrograde - Mess Mend Or A Yankee In Petrograd. Constructivist covers and typography in text designed by Alexander Rodchenko. All volumes are present and bound in a hard cover, soiling, tears, volume one missing front cover, cover of volume seven attached to the front of the hard cover with number 7 blacked out slightly to look like number 1. Size 17.8x12.5cm. In MOMA: http://www.moma.org/collection///browse_results.php?criteria=O%3AAD%3AE%3A25023&page_number=4&template_id=1&sort_order=1 Aleksander Mikhailovich Rodchenko (1891 – 1956) was a Russian artist, sculptor, photographer and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova.Rodchenko was one of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd angles—usually high above or down below—to shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again." Source: WikipediaMarietta Sergeevna Shaginian (Russian: Мариэ́тта Серге́евна Шагиня́н; April 2, 1888 in Moscow – March 20, 1982 in Moscow) was a Soviet writer and activist of Armenian descent. She was one of the "fellow travelers" of the 1920s led by the Serapion Brotherhood and became one of the most prolific communist writers experimenting in satirico-fantastic fiction.[1]In February 1912 Shaginian wrote to the composer Sergei Rachmaninoff, signing herself "Re". This was the first of many letters written between them over the next 5 years, many quoted in Bertensson & Leyda.[2] Later in 1912, Rachmaninoff asked her to suggest poems he could set as songs. Many of her suggestions appeared in his Op. 34 set of that year (list of titles in Bertensson & Leyda). The first group, from Pushkin's poem "The Muse" of 1828, he dedicated to her. In 1913 she dedicated her first set of published poems, "Orientalia", to him. Rachmaninoff left Russia in 1917, never to return, and their correspondence ceased at that point.[3][4][5][6][7]Shaginian authored the novels Mess-Mend (1923), Three Looms (1929), Hydrocentral (1930–31), for which she was criticized by Soviet literary critics who found her innovative fiction to be "decadent" and "bourgeois." She was forced to stop writing in this genre and turned to essay writing. For her novels about Lenin's life and activities she was awarded the Lenin Prize in 1972. Shaginian spent much of her time in Koktebel, Crimea, where she had bought a summer house for her family. The Russian bohemian elite gathered in Koktebel every summer and stayed there until September, spending time at the Voloshin house.Marietta's daughter Mirelle Shaginian was a painter, who was married to Victor Tsigal, a Russian painter and sculptor. Their son Serega Tsigal is an artist in Moscow. His wife Lubov Polishuk was one of Russia's most famous actresses. Serega's daughter Marietta Tsigal followed her mother's steps into acting. She was named after her great grandmother. Marietta Shaginian has two great great grandchildren Anastasia Shaginian and her brother Andrei.A minor planet 2144 Marietta discovered in 1975 by Soviet astronomer Lyudmila Chernykh is named in her honor. Source: Wikipedia