Brassai
Published by Pantheon Books, New York, New York, U.S.A., 1988
Title: Brassai
Publisher: Pantheon Books, New York, New York, U.S.A.
Publication Date: 1988
Binding: Soft cover
Book Condition: As New
Dust Jacket Condition: As New
Edition: 1st Edition
Bibliographic Details
Title: Brassai
Publisher: Pantheon Books, New York, New York, U.S.A.
Publication Date: 1988
Binding: Soft cover
Book Condition: As New
Dust Jacket Condition: As New
Edition: 1st Edition
Description:
First Edition, Mfg in Italy. Book in "as new" condition, unread/unused. Corners have slight bumps on covers and slight crease on back cover only. Pages crisp , clean and excellent unread. No photographer is more closely associated with a city than Brassai (1899 1984) is with Paris. From the moment he moved there in 1924, he devoted his life and art to immortalizing his adopted city capturing the street life by day, the cafes and the Seine by night. A friend of Picasso and Henry Miller, Brassai knew and photographed the leading figures of his day Giacometti, Sartre, Dali, Matisse, and Mann among them. His most famous portraits and cityscapes, collected in this volume, form a unique vision of life in pre and post war Europe. The Photofile series brings together the best work of the world s greatest photographers in an attractive format and at an affordable price. Handsome and collectable, the books are produced to the highest standards. Each volume contains some sixty full page reproductions, a critical introduction and a full bibliography. The series was awarded the first annual prize for distinguished photographic books by the International Center of Photography. ". Bookseller Inventory # 000071
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Synopsis:
An new volume in Photofile, the accessible and affordable photography series
No photographer is more closely associated with a city than Brassai (1899–1984) is with Paris. From the moment he moved there in 1924, he devoted his life and art to immortalizing his adopted city?capturing the street life by day, the cafés and the Seine by night. A friend of Picasso and Henry Miller, Brassai knew and photographed the leading figures of his day?Giacometti, Sartre, Dalí, Matisse, and Mann among them. His most famous portraits and cityscapes, collected in this volume, form a unique vision of life in pre- and post-war Europe.
The Photofile series brings together the best work of the world’s greatest photographers in an attractive format and at an affordable price. Handsome and collectable, the books are produced to the highest standards. Each volume contains some sixty full page reproductions, a critical introduction and a full bibliography. The series was awarded the first annual prize for distinguished photographic books by the International Center of Photography. 63 duotone photos
Review:
"The meaning of art is not authenticity but the expression of authenticity," wrote the Hungarian-born photographer Gyula Halász, better known as Brassaï, whose unflinching yet deeply sensual portraits of the seamier side of Paris nightlife during the 1930s and 1940s summon up
an era when decadence and desperation ran side by side. Brassaï's curiosity about his subjects and the originality of his approach highlight the depth of his identification with Paris, his adopted city. The son of a professor of French literature, Brassaï had first visited the city at the age of 5; later, in the early 1920s, he returned to make it his home after completion of studies in fine art in Budapest and Berlin. Settling in the bohemian arrondissement of Montparnasse, mixing with artists and writers, Brassaï took up photography "in order to capture the beauty of streets and gardens in the rain and fog, and to capture Paris by night." He lures us into the smoky, highly charged world of clubs and cafés, where nicotine-stained lovers in cheap clothes become impossibly desirable through the camera's lens. Streets, stairways, and canals are moodily lit; even a man rummaging for food in a rubbish bin takes on a cinematic aura. Yet Brassaï's photographs contain a strange mixture of seediness and resilience that ultimately triumphs over any false notions of glamour. He depicts scenes of poverty and its trappings--alcoholism, prostitution, violence, hunger. The chaotic social whirl of 1930s Paris dies down to the quiet suffering of a city under occupation, with its two great literary lights, Jean-Paul Sartre and Simone de Beauvoir, sitting out the war, stony-faced in the Café de Flore. Accompanied by extracts from Brassaï's own writings, contemporaries such as Henry Miller, and essays from other contributors, and containing 308 images, Brassaï is a fine testament to an artist whose images of one city have proved so enduring.


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