This print shows three women on a patio in flowing garments, two conversing openly while the third sits out of the conversation, looking outward. The woman on the left has slipped her foot from a sandal and holds her parasol in place with her knee, leaning casually back to converse. The print is hand colored and set on archival paper.

Weight (lbs): 0.25
Height (In.): 10.25
Width (In.): 14.75
Depth (In.): N/A
Size: 14.75X10.25
Maker: Utagawa School
Material: Paper
Date: 19th C
Provenance: N/A
Condition: Light wrinkling to the original paper, adhesive residue noticed along the left side.
History: Woodblock printing in Japan (moku-hanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Although similar to woodcut in Western printmaking in some regards, the moku-hanga technique differs in that it uses water-based inks—as opposed to western woodcut, which often uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency.
Condition: Light wrinkling to the original paper, adhesive residue noticed along the left side. History: Woodblock printing in Japan (moku-hanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Although similar to woodcut in Western printmaking in some regards, the moku-hanga technique differs in that it uses water-based inks—as opposed to western woodcut, which often uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency.