Lot 0245

David Ballew | Morning Marsh, Moonset

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David Ballew (NM,CT,b 1955) oil painting: ARTIST: David Ballew (New Mexico, Connecticut, born 1955) NAME: Landscape - Hillside Oaks, Petaluma CA (titled on verso) YEAR: 2000 MEDIUM: oil on canvas board CONDITION: Excellent. No visible inpaint

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Koefod Hansen Oil Painting Ducks Over The Morning Marsh: Koefod Hansen, Oil Painting Ducks Over The Morning Marsh. Oil on canvas painting, Signed: Koefod Hansen; Original frame. Size: 26x34 image, 29x37 outside frame. ASKart: Koefod Hansen (1879 - 1959) is

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"Folgers Marsh" by David Lazarus: Large impressionistic painting of a crane in flight flying over Folgers March on Nantucket at sunset, oil on canvas, signed lower right. David lazarus, born 1952. 23 inches x 36 inches sight, 31 inche

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DAVID LAZARUS NANTUCKET MARSH PAINTING: Oil painting on wood panel of a green summer marsh landscape on Nantucket signed D. Lazarus. 8 x 10, 12 x 14 in. (David Lazarus was b. 1952, noted for Nantucket paintings)

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4 Paintings incl. J. Howard "Morning Glory": 4 Paintings incl. J. Howard "Morning Glory", David Ludnick "Nocturne", etc - Largest approx. 30" x 30"

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David Bates (British, 1840-1921) "Morning on a Troutland Stream": David Bates (British, 1840-1921) "Morning on a Troutland Stream" 1877. Oil on canvas. Signed 'David Bates' (lower left), titled and dated (on reverse). 24 x 36 in. Provenance: A Rochester, New York co

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DAVID CHAPPLE (B. 1947): MORNING LIGHT: oil on board; signed lower left; titled verso; 11 x14 inches; 14 3/4 x 17 3/4 inches frame

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DAVID CHAPPLE (B. 1947): "MORNING LIGHT": oil on board signed lower left, titled verso 11 x 14 inches; 15 1/2 x 18 1/2 inches frame

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DAVID CHAPPLE (B. 1947): "MORNING LIGHT": oil on board; signed lower left; 8 x 10 inches; 13 1/4 x 15 1/4 inches frame

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David P. Curtis (1950-2021) Summer Marsh (Stavros Hill, Essex c.1990's): David P. Curtis (1950-2021) Summer Marsh (Stavros Hill, Essex c.1990's) oil on board, 18 x 24 in., signed l.l.

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David Jenks, oil on canvas "Morning in the Orchard": David Jenks (American, 20th/21st Cent), oil on canvas "Morning in the Orchard", 24" x 48", framed 32.5" x 56" O3032, Excellent Condition with no noted damage or repair to painting. Minor wear and blem

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DAVID FULTON (D.1930) SCOTTISH LANDSCAPE EXHIBITED: Framed oil on canvas painting, Autumn Morning, signed lower left David Fulton RSW (Scottish, 1848-1930), label verso no. 782 from 1911 exhibition, likely at The Royal Glasgow Institute, sight: approx

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David Yorke American Indian Portrait Oil Painting: David Yorke [ 1949 - American ]. Titled "Morning Light". Subject matter features the bust of an American Indian woman with braided hair, wearing a braided choker and a tunic. Original oil painting on

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DAVID A DUNLOP Signed Oil Painting Marsh Landscape: DAVID A DUNLOP Signed Oil Painting, Signature to reverse reads David A Dunlop, Inscription to reverse partially illegible, reads Jonestown Saltwater Marsh, subject a marsh with rural homes in the back

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David R. Griffin; 20thC. American Oil Morning Gift Signed: David R. Griffin(Texas - b.1952) oil on canvas. Morning Gift. Signed lower left. Information and original gallery receipt attached at reverse; 24in. X 20in.(image), 31.5in. X 27.5in.(framed)

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DAVID BATES OIL ON CANVAS PAINTING: MARSH LANDSCAP: David Bates (British, 1840-1921) oil on canvas painting depicting a marsh landscape. Signed and dated "David Bates 1890" lower right. Measures (frame) 34" tall x 44" wide, and (sight) 27.25" tall x 37

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Item Details

Description

Artist: David Ballew | b. 1955
Title: Morning Marsh, Moonset
Signed l/l: [artist's symbol] Ballew
Media: Oil on linen on panel
Dimensions: 30 by 40 inches

Condition

Condition: Very Good
Condition Details: To the unaided eye this piece appears to be in very good condition. Closer inspection under ultraviolet light reveals no issues or signs of restoration. The work is framed a in a gold panel with carved corners. The frame is in very good condition. Verso: inscribed on panel: "Morning Marsh Moonset" David Ballew 2006 (in artist's hand). Label: poem: Cool marshland, the thin rain stops, in the still stream reflected, the last shreds of clouds scattering in the dawn wind. Li Po 701-762. Label: explaining the reasons and method of mounting the linen to the panel.