Pre-Columbian, North Coast Peru, Moche, ca. 300 to 400 CE. A very expressive polychrome terracotta jaguar effigy vessel, painted in hues of red and cream with black fine-line detailing. Take note of those bulging leering eyes (generously lashed and lined), the war paint upon his cheeks and nose, those straight whiskers bristling with acrimony and belligerence, the dotted coat evident upon the chin, and that ferocious mouth full of fangs and a lapping tongue. The dramatic visage of this jaguar jar suggests that the artist who created this vessel was more interested in capturing the powerful symbolism associated with this formidable 'king of beasts' rather than putting forth a naturalistic representation. Size: 9" W x 9.5" H (22.9 cm x 24.1 cm)

The jaguar symbolized dominance and might throughout the Pre-Columbian world. Warriors, rulers, hunters, and shamans alike associated themselves with the jaguar, the largest and strongest feline of the ancient Americas. The principal Moche god wears a headdress adorned with a jaguar head and paws and important mortals donned similar headdresses. A nocturnal animal, the jaguar sleeps in caves and dark places and creeps quietly in the forest, evoking great mystery. Oddly enough, few Moche artists would have actually scene jaguars as they are not indigenous to the coast. Jaguars prefer moist forest conditions. However, scholars believe that some cubs were transported over the mountains for Moche rituals and it is also possible that some jaguars wandered down the coast.

Provenance: Ex-Private Ventura County, CA collection

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#118611

Chips to rim and ears. Expected surface wear with minor pigment losses, scuffs, and abrasions.