Lot 0055

Rembrandt van Rijn, Attributed: Woman at the Well

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Rembrandt van Rijn. Christ and the Woman of Samaria: An Arched Print (1657). New Hollstein 302, IV/V: Rembrandt van Rijn. Christ and the Woman of Samaria: An Arched Print (1657). New Hollstein 302, IV/V Sturdy, medium-weight cream laid paper. 1/16" margins all around. No visible watermark. The Tip of

2024Rembrandt van Rijn. Christ and the Woman of Samaria: An Arched Print (1657). New Hollstein 302, IV/VSee Sold Price

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REMBRANDT VAN RIJN, Christ and the Woman of Samaria: An Arched Print.: Etching and drypoint. New Hollstein's fourth's state (of 5), with a trace of the delicate horizontal line across the spire upper right. 1657 125x160 mm; 5x6 1/4 inches, narrow margins. Bartsch 70; New

2023REMBRANDT VAN RIJN, Christ and the Woman of Samaria: An Arched Print.See Sold Price

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Rembrandt van Rijn (1606-1669) Death Appearing to a Wedded Couple from an Open Grave: Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

2022Rembrandt van Rijn (1606-1669) Death Appearing to a Wedded Couple from an Open GraveSee Sold Price

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Rembrandt van Rijn Etching (Dutch 1606-1669): Item: Rembrandt van Rijn Etching (Dutch 1606-1669) Size: 5 3/8 x 4.25 in. Rembrandt van Rijn (Dutch 1606-1669). Christ Carried to the Tomb, circa 1645 Etching and drypoint. Signed in the plate, lower

2017Rembrandt van Rijn Etching (Dutch 1606-1669)See Sold Price

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Rembrandt van Rijn etching Beggars Receiving Alms 1648: In this tender Rembrandt Beggars Receiving Alms at the Door of a House, 1648, through Rembrandt’s extraordinary vision we witness a humble exchange between a needy family and their donor. The male f

2017Rembrandt van Rijn etching Beggars Receiving Alms 1648See Sold Price

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Rembrandt Van Rijn Etching: Rembrandt Van Rijn etching Signed and dated 1628

2017Rembrandt Van Rijn EtchingSee Sold Price

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REMBRANDT VAN RIJN, Self Portrait in a Velvet Cap and Plume.: Etching. New Hollstein's third state (of 4). 1638 135x105 mm; 5 1/4x4 1/8 inches, narrow margins. Bartsch 20; New Hollstein 170.

2023REMBRANDT VAN RIJN, Self Portrait in a Velvet Cap and Plume.See Sold Price

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Rembrandt van Rijn. The Rest on the Flight into Egypt: Lightly Etched (1645). New Hollstein 227,: Rembrandt van Rijn. The Rest on the Flight into Egypt: Lightly Etched (1645). New Hollstein 227, only state. Thin, grey wove paper (chine volante?) Trimmed along the platemark, laid down completely on

2024Rembrandt van Rijn. The Rest on the Flight into Egypt: Lightly Etched (1645). New Hollstein 227,See Sold Price

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Print, Rembrandt van Rijn: Rembrandt van Rijn (Dutch, 1606–1669), "Christ Crucified Between Two Thieves," 1641, drypoint etching, image: 5.3"h x 3.9"w, overall (with frame): 12"h x 8"w

2019Print, Rembrandt van RijnSee Sold Price

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After Rembrandt van Rijn, etching: After Rembrandt van Rijn (Dutch, 1606-1669), "The Flight to Egypt", numbered "9", possibly second state (of 2), inscribed "Rembrandt", lower edge, 3.5"l x 2.5"w (image), velvet matting with hardwood f

2016After Rembrandt van Rijn, etchingSee Sold Price

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REMBRANDT VAN RIJN, The Adoration of the Shepherds: A Night Piece.: Etching and drypoint. New Hollstein's ninth state (of 11). 1657 152x197 mm; 6x7 3/4 inches, narrow margins. Bartsch 46; New Hollstein 300.

2023REMBRANDT VAN RIJN, The Adoration of the Shepherds: A Night Piece.See Sold Price

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REMBRANDT VAN RIJN, The Tribute Money.: Etching and drypoint. New Hollstein's second state (of 4), before the Basan rework, with burr on the back of the man with his back turned lower left. Ex-collection Ferdinando Salamon, L'Arte Antica, T

2023REMBRANDT VAN RIJN, The Tribute Money.See Sold Price

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REMBRANDT VAN RIJN, Jan Asselyn, Painter.: Etching and drypoint. New Hollstein's third state (of 7), before the rework and the Basan editions. Seven Provinces with the initials BM watermark (Ash/Fletcher 34). Ex-collection Johann Carl Diedrich

2023REMBRANDT VAN RIJN, Jan Asselyn, Painter.See Sold Price

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After Rembrandt van Rijn (1606-1669) - Antique Print - Man in a Coat and Fur Cap Leaning Against a B: After Rembrandt van Rijn (Netherlands, 1606-1669) etching on laid paper, "Man in a Coat and Fur Cap Leaning against a Bank," [Bartsch-Hollstein 151; Hind 14], 1630. Plate measures 4-1/2" x 3-1/8". In

2022After Rembrandt van Rijn (1606-1669) - Antique Print - Man in a Coat and Fur Cap Leaning Against a BSee Sold Price

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Print, Rembrandt van Rijn: Rembrandt van Rijn (Dutch, 1606-1669), "Raising of Lazarus, The Larger Plate," etching, 1630 (20th century printing), printed by Marjorie Van Dyke, from the "Millennium" edition of 2500, overall (with

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REMBRANDT Van Rijn (1606 - 1669) "Self-Portrait in a Flat Cap and Embroidered Dress, 1642" B26: A 19th c. printing "Self-Portrait in a Flat Cap and Embroidered Dress" with '"Rembrandt" on upper left. Bartsch 26. plate measures 9.3 x 6.1 cm (3.75 x 2.5 in.). Etching, from the plate. Published in

2024REMBRANDT Van Rijn (1606 - 1669) "Self-Portrait in a Flat Cap and Embroidered Dress, 1642" B26See Sold Price

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Rembrandt - Selfportrait: Rembrandt van Rijn "Selfportrait" Giclee Fine Art Print after an original work. Print-signed on the front, numbered on the back. Decorative Blindstamp on the print and Certificate of Edition provided.

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Rembrandt van Rijn, Attributed: Woman at the Well

Item Details

Description

Rembrandt van Rijn; Attributed (Dutch 1606–1669) Woman at the Well Pen and brown ink drawing On laid paper with watermark Size-10 1/8x7 7/8 in.

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