Lot 1008A

Native American San Ildefonso Print, J.D. Roybal

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Native American San Ildefonso Print by J.D. Roybal: 1976 Native American San Ildefonso Print by J.D. Roybal, measures 15'' x 19'', can be rolled to ship, some staining on left side, FYI: ''Josâ€š Desiderio (J.D.) Roybal (1922-1978) Oquwa - Rain God

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Native American San Ildefonso Print by J.D. Roybal: Native American San Ildefonso Print by J.D. Roybal, measures 15'' x 19'', can be rolled to ship, stains and.5'' tear in lower left corner FYI: ''Josâ€š Desiderio (J.D.) Roybal (1922-1978) Oquwa -

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(2) Native American Prints: (2) Native American dancer silk screen prints, c/o JD Roybal of San Ildefonso Pueblo (7-1/4" x 5-1/2" sight), Harrison Begay of Navajo Reservation near White Cone Trading Post in Arizona (5-3/4" x 5-1

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Jose (JD) Roybal - 1922-1978 - Native American: JD Roybal Original Silkscreen - Buffalo Dancer Hand Made Silk Screen - 10x12 unframed/matted

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Edward Curtis - Sepia (The Oferring - San Ilderfonso): EDWARD CURTIS (AMERICAN) The Offering - San Ildefonso Vintage Sepia book plate, print on paper 14" x 17"

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Edward S. Curtis, PLATE 38 Tan Tsire (“Willow Bird??) San Ildefonso, CA, 1905: Photographer: Edward S. Curtis (American, 1868 - 1952) - renowned photographer of the American West and the Native American Indian. Title: FIG. 45 Curtis Studio, (Edward S. Curtis and His Daughter Bet

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Signed Bev Doolittle "Woodland Encounter" Print: Signed Bev Doolittle "Woodland Encounter" Print, a snow covered woodland scene with a fox standing towards the center and two Native American braves on horseback and wearing white moving through an as

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Native American Sepia tone print, "Taos Water Carriers": Native American Sepia tone print, "Taos Water Carriers, 1905" in curved wooden frame. Image: appx. 9 1/2" x 7"; Frame: appx. 14"t x 14 1/2"w on the curve.

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Lucy Qinnuayuak, Inuit, Stonecut Print Cape Dorset: Lucy Qinnuayuak (1915-1982), Inuit, Stonecut Print, Cape Dorset. Titled "The Family Speaks of the Owl", signed and dated 1976 and numbered 11/50. Sight: 21" x 30"; Frame: 26 1/2" x 35". Very Good cond

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C. Late 1800's Two Dogs Oglala Sioux Print: Offered in this lot is a unique framed print from the late 1800's of a Native American, named Two Dogs, from the Ogalala Sioux South Dakota tribe. This print of Two Dogs is done on heavy pressed paper

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R. C. Gorman "Mother and Child" 1975 Lithograph Native American Navajo Print: 1975 lithograph print titled "Mother and Child" by Native American artist R. C. Gorman (1931-2005). Pencil signed and dated lower left, editioned #28/50 lower right. Good overall, with scratched plexi

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3 Native American Prints: A Harrison Begay, a Robert Chee silk screen print and a Wesley Nash Apache painting

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R.C. GORMAN NATIVE AMERICAN PRINT: Native American Print under Glass by R.C. Gorman (1931-2005). Titled "Chili Peppers". Rudolph Carl Gorman was a Native American artist of the Navajo Nation. Referred to as "the Picasso of American Ind

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R.C. GORMAN NATIVE AMERICAN PRINT: Native American Print under Glass by R.C. Gorman (1931-2005). Rudolph Carl Gorman was a Native American artist of the Navajo Nation. Referred to as "the Picasso of American Indian artists" by The New

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Native American Navajo Print by Robert Chee: Native American Navajo Print by Robert Chee, matted, FYI: ''Robert (Hashke-Yil-Cale) Chee (1938 - 1972)''

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Native American Navajo Print by Beatin Yazz: Native American Navajo Print by Beatien Yazz, measures 5.25''W x 6.5''L, FYI: Beatien Yazz (1928-2012) Little No Shirt - Jimmy Toddy was born in 1928 on the Navajo Reservation. Yazz showed promise as

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Native American San Ildefonso Print, J.D. Roybal

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Native American San Ildefonso Print by J.D. Roybal, measures 15'' x 19'', can be rolled to ship, FYI: ''Josâ€š Desiderio (J.D.) Roybal (1922-1978) Oquwa - Rain God Josâ€š Desiderio (J.D.) Roybal, whose Tewa name was Oquwa (Rain God), was a well-known painter from San Ildefonso Pueblo. He was born on November 7, 1922 at San Ildefonso, the son of Tonita and Juan Cruz Roybal. He passed away June 28, 1978. He did a bit of painting in the 1930s but was not very productive until the 1950s. He was most productive in the 1960-1970 decade. His most popular subject matter was his rendition of the Tewa Clowns known as Koshare or Koosa. Often he presented them in a jovial manner. He used water-based paints throughout his career. His excellent detail in small paintings never went unnoticed. In his work there prevails fine color, excellent detail, small and fine outlines, gesturing figures, and a pleasing combination of heavy conventional themes with realistic subjects.'', print reads ''Copyright Tewa Enterprises. Santa Fe, New Mexico, 1978, Mrs. J.D. Roybal and Popovi D'a Studio, San Ildefonso Pueblo