Oil on canvas abstract. Signed and attr. Rupprecht Geiger (German, 1909-2009). Signature on the lower right corner. 23.6 x 17.5 in. (60 x 44.5 cm). Geiger was born in Munich, the only child of painter Willi Geiger. Besides Germany, the family spent time in Spain, and he also joined his father on trips to Morocco and the Canary Islands. It was on these trips that Geiger began painting. From 1926 through 1935 he studied and taught architecture and art at academic institutions in Munich. From 1936 to 1940 he worked as an architect at several firms, also in Munich. He was called up to fight in World War II and was at the Eastern Front in Poland and Russia, and then in 1943 and 1944 he was a war illustrator in the Ukraine and Greece. He exhibited his first abstract painting in 1948. After the war, from 1949 to 1962 he was again active as an architect. In 1949, Geiger co-founded the Munich artists' group ZEN 49. Hilla von Rebay chose to exhibit his artwork at the Museum for Non-Objective Painting (later the Guggenheim Foundation). From 1965 to 1976, Geiger was professor of painting at Staatlichen Kunstakademie Düsseldorf. His paintings are often concerned with the theme of color. In the 1950s, he particularly studied the color red. Geiger's paintings are characterized by simple geometric forms (rectangles, ovals, circles), bright colors, and intense contrasts. The Dombergmuseum near Munich possesses a collection of his works.

All authorship of items in this catalog are described according to the following terms:

By [Artist Name] : In our opinion, the work is by the artist.

Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature : In our opinion, the signature on the artwork may be spurious.
Apocryphal : Of doubtful authenticity.