Acrylic on paper, framed. Abstract composition. Signed and attr. Franz Marc (German, 1880-1916) on the lower right corner. 10.8 x 8.7 in. (27.5 x 22 cm). Franz Marc was a German artist remembered for his vividly colored Expressionist paintings and prints. Frequently depicting cubistic animals set within landscapes, Marc strove to achieve an exalted level of experience in producing his work. “I am trying to heighten my feeling for the organic rhythm in all things,†he once explained. “ [I am] trying to establish a pantheistic contact with the tremor and flow of blood in nature, in animals, in the air—trying to make it all into a picture, with new movements and with colors that reduce our old easel paintings to absurdity.†Born on February 8, 1880 in Munich, Germany, he developed an interest in art from his father, the landscape and genre painter Wilhelm Marc. After attending the Academy of Fine Arts in Munich, he spent time travelling around Europe. In 1911, the artist helped found the Der Blaue Reiter group, alongside Wassily Kandinsky, August Macke, and Alexej von Jawlensky. World War I saw him drafted into the German army, where he designed military camouflage and served in the infantry. Marc was killed by an exploding shell fragment on March 4, 1916 in Braquis, France. Today, his works are held in the collections of The Museum of Modern Art in New York, the Art Institute of Chicago, and the National Gallery of Art in Washington, D.C., among others. PROVENANCE: Southern Ontario estate

All authorship of items in this catalog are described according to the following terms:

By [Artist Name] : In our opinion, the work is by the artist.

Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature : In our opinion, the signature on the artwork may be spurious.
Apocryphal : Of doubtful authenticity.