Gouache on paper. Featuring abstract composition. Signed and attr. Alexander Rodchenko (Russian, 1891-1956). 9.1 x 11.2 in. (23 x 18.5 cm). A central figure in Russian Constructivism, Alexander Rodchenko rejected the established artistic conventions of self-expression and aesthetics, dedicating himself with revolutionary fervour to bringing art to the masses. Rodchenko and the Constructivists produced radically abstract paintings, concerned with the placement and movement of objects in space and emphasizing dynamic diagonal compositions. Denouncing easel painting and fine art on ideological grounds, Rodchenko joined the Productivist group in 1921, which advocated for the integration of art into everyday life; he duly focused on graphic design, producing propaganda posters and advertisements. Later in his career Rodchenko became impressed with the photomontage of the German Dadaists and began his own experiments in the medium. Arguably having producing the first ever monochromes, Rodchenko later proclaimed, “I reduced painting to its logical conclusion and exhibited three canvases: red, blue, and yellow. I affirmed: it’s all over.†PROVENANCE: Southern Ontario Estate

All authorship of items in this catalog are described according to the following terms:

By [Artist Name] : In our opinion, the work is by the artist.

Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature : In our opinion, the signature on the artwork may be spurious.
Apocryphal : Of doubtful authenticity.