Camille Bombois 1883-1970 French Oil on Board
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Description
Oil on board, framed. Featuring a still life painting of flowers. Signed and attributed to Camille Bombois (1883-1970, French) on lower right corner. 22.9 x 35.6 cm (9 x 14 in).
Camille Bombois was a French painter known for his depictions of light-dappled suburban streets, lively circus scenes, and pastoral landscapes. Painted in a self-taught style similar to that of Henri Rousseau, Bombois’s mature works employed rich black and greens heightened by bright reds and blues. Born on February 3, 1883 in Venarey-les-Laumes, France, Bombois attended school until the age of 12 before becoming a farm laborer. As an adult he joined a traveling circus and performed as a strong man and wrestler, later settling in Paris where he began to paint. While in Paris, he was discovered by the art dealer Wilhelm Uhde, who helped promote his career. The artist died on June 6, 1970 in Paris, France. Today, Bombois’s works are held in the collections of The Museum of Modern Art in New York, the North Carolina Museum of Art in Raleigh, and the Musée Maillol in Paris, among others. PROVENANCE: Private collection, Toronto, ON
Camille Bombois was a French painter known for his depictions of light-dappled suburban streets, lively circus scenes, and pastoral landscapes. Painted in a self-taught style similar to that of Henri Rousseau, Bombois’s mature works employed rich black and greens heightened by bright reds and blues. Born on February 3, 1883 in Venarey-les-Laumes, France, Bombois attended school until the age of 12 before becoming a farm laborer. As an adult he joined a traveling circus and performed as a strong man and wrestler, later settling in Paris where he began to paint. While in Paris, he was discovered by the art dealer Wilhelm Uhde, who helped promote his career. The artist died on June 6, 1970 in Paris, France. Today, Bombois’s works are held in the collections of The Museum of Modern Art in New York, the North Carolina Museum of Art in Raleigh, and the Musée Maillol in Paris, among others. PROVENANCE: Private collection, Toronto, ON
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Camille Bombois 1883-1970 French Oil on Board
Estimate $3,000 - $6,000
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