Edvard Munch Norwegian Signed Litho 43/200
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Description
Lithograph on paper. Featuring a portrait of a couple. Signed Ed. Munch and inscribed 43/200 on the lower right and lower left corner, respectively in pencil. Attributed to Edvard Munch (1863-1944, Norwegian). 21 x 30 cm (8.3 x 11.8 inches).
A recognized forerunner of Expressionism, Norwegian painter and printmaker Edvard Munch (1863-1944) is renowned for his representations of emotion. Associated with the international development of Symbolism, Munch experimented with many different themes, palettes, and styles of drawing. Though stylistically influenced by Paul Gauguin and the Nabis, Munch’s subjects are drawn from his Scandinavian roots and his own tortured psyche. His most famous painting, The Scream (1893), illustrates a tormented cry translated into waves of color that resonate across the landscape. Though based on Munch’s own experience, The Scream has become an instantly recognizable symbol of anxiety and alienation. Often reworking his paintings into etchings and lithographs, Munch was also one of the major graphic artists of the 20th century - he took an experimental approach to printmaking and contributed to the revival of the woodcut.
A recognized forerunner of Expressionism, Norwegian painter and printmaker Edvard Munch (1863-1944) is renowned for his representations of emotion. Associated with the international development of Symbolism, Munch experimented with many different themes, palettes, and styles of drawing. Though stylistically influenced by Paul Gauguin and the Nabis, Munch’s subjects are drawn from his Scandinavian roots and his own tortured psyche. His most famous painting, The Scream (1893), illustrates a tormented cry translated into waves of color that resonate across the landscape. Though based on Munch’s own experience, The Scream has become an instantly recognizable symbol of anxiety and alienation. Often reworking his paintings into etchings and lithographs, Munch was also one of the major graphic artists of the 20th century - he took an experimental approach to printmaking and contributed to the revival of the woodcut.
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Edvard Munch Norwegian Signed Litho 43/200
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