Attributes: Signed, attributed to Joseph Henry Sharp - Media: Oil on board - Condition: - Provenance: Private collection, South America - Dimensions (cm): 45 by 30 - Dimensions (inches): 17 3/4 by 12 inches framed- Biography: Joseph Henry Sharp (September 27, 1859 – August 29, 1953) was an American painter and a founding member of the Taos Society of Artists, of which he is considered the "Spiritual Father".[1] Sharp was one of the earliest European-American artists to visit Taos, New Mexico, which he saw in 1893 with artist John Hauser.[2] He painted American Indian portraits and cultural life, as well as Western landscapes. President Theodore Roosevelt commissioned him to paint the portraits of 200 Native American warriors who survived the Battle of the Little Bighorn. While working on this project, Sharp lived on land of the Crow Agency, Montana, where he built Absarokee Hut in 1905. Boosted by his sale of 80 paintings to Phoebe Hearst, Sharp quit teaching and began to paint full-time.In 1909, he bought a former chapel in Taos to use as a studio, near the house of the artist E. Irving Couse. In 1912 he and his wife moved to the area full-time. He built a house with studio near the chapel. Both artists' homes and studios are part of the Eanger Irving Couse House and Studio—Joseph Henry Sharp Studios, which is listed on the National Register of Historic Places.

All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed. All authorship of items in this catalog are described according to the following terms: Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given. By [Artist Name] : The work is by the artist. Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship. In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist. After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist. Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil. Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil). American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).