Mixed media on paper. Featuring Snoopy lying down with hearts. Signed Schulz on the lower right corner. Attributed to Charles Schulz (1922-2000, American). 23 x 31 cm (9.1 x 12.2 inches). PROVENANCE: Upper New York estate

Carlos Merida (1895-1984) was a Guatemalan artist known for his paintings which merged Pre-Columbian aesthetics with pictorial ideas culled from Joan Miró and Paul Klee. Mérida use of Mayan art was a means to make European trends more relevant to his own heritage. Born on December 2, 1898 in Guatemala City, Guatemala, he spent time in Paris between 1910 to 1914 where he became acquainted with artists like Pablo Picasso and Amedeo Modigliani. In 1919, having returned to Guatemala five years earlier, the artist moved to Mexico City where he worked as Diego Rivera’s mural-painting assistant. In the late 1920s, he returned to Europe, where his work underwent a shift inspired by the avant-garde works he observed. Mérida died on December 22, 1984 in Mexico City, Mexico. Today, the artist’s works are held in the collections of the Art Institute of Chicago, the Art Museum of the Americas in Washington, D.C., the Los Angeles County Museum of Art, and the Philadelphia Museum of Art, among others.

All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).